Word: patterned
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...marshals elaborate evidence to prove it. There may be two kinds-a monstrous, hairy creature 8 ft. tall, and a smaller one no bigger than a man. The monks of one Tibetan monastery display to travelers the scalp of an alleged snowman, and Heuvelmans argues that its hair pattern, much like a gorilla's, proves it is not a fake made out of some animal's skin. The remains of giant ape-men have been found in southeastern Asia, and the yetis may be their descendants...
...story falls into the predictable triangular pattern, which soon resolves into the predictable eternal question: Which boy will get the girl? In this instance, the answer is intended to answer the race question, but since Actor Belafonte's skin seems just about as light as Actor Ferrer's, the audience may justifiably wonder if the question itself is not almost academic. Anyway, black boy gets white girl-or seems to. But then in the confusing finish (which was reshot after a big front-office foofaraw), all three wander off together hand in hand-with the girl...
Fish-Bowl Policy. The fund that has done more than any other to put shares in the household sugar bowl is Massachusetts Investors Trust, oldest and big gest of the mutual funds and the one that set the pattern for all the rest. M.I.T is a child of Boston, which has raised the handling of O.P.M. (other people's money) to the status of a fine art. The art was born of an 1830 court decision, the "Prudent Man Rule." In settling a suit charging a trustee with negligence in investing in common stocks, the judge held that...
M.I.T. helped put an end to all that. Despite howls from the financial world, it opened its books and portfolio of stocks to the public, setting the pattern for the "fishbowl" policy under which the whole fund industry now operates. Instead of fighting New Deal legislation aimed at regulating investment-company practices, it recognized the need for regulation, helped the New Deal frame the laws. So similar were M.I.T.'s bylaws to the Investment Company Act of 1940, which laid the ground rules for the funds, that M.I.T. had to change only a few commas...
Lautrec's decorative patterns have almost unlimited visual interest because he carefully avoids any sort of systematic stylization, a method all too frequently employed by the Art Nouveau. The lack of any one obvious decorative pattern and the subtle coloring of his poster for Le Divon Japonais produces a composition whose complexity would not have pleased the Art Nouveau. Moreover, as if to prevent decorativism, curved lines that might become stylish are suddenly straightened if the picture requires. The faces in the Divon poster, if anything, are distorted with a vengeance--no pretty picture this. These harsh qualities are precisely...