Search Details

Word: paste (lookup in dictionary) (lookup stats)
Dates: during 1960-1960
Sort By: most recent first (reverse)


Usage:

...preliminary write-up of the report cites the main reason for the past lack of "big-name" entertainment as the difficulty in obtaining financial backing. Accordingly, it proposes that a fund be created which would be administered by the Student Council and would guarantee that the terms of the performers' contract will be met. Any organization wishing to sponsor a program but having insufficient funds to do so could apply to the Council for backing...

Author: NO WRITER ATTRIBUTED | Title: Council May Suggest Entertainment Fund To Engage Stars | 1/14/1960 | See Source »

Many attempts in the past to do this sort of thing have failed, Edward L. Croman '60, president of the Student Council stated, because people "have ignored the interhouse character of the social structure." If the committee finds that it cannot work within this structure, he continued, the attempt will have to be abandoned as futile...

Author: NO WRITER ATTRIBUTED | Title: Council May Suggest Entertainment Fund To Engage Stars | 1/14/1960 | See Source »

...that period Cooney Weiland's first and second right wings scored on pretty shots at each end of the period. At 1:05 Stu Forbes took a pass from Mike Graney, skated past two defensemen, and beat the goalie with a close shot...

Author: By Robert E. Smith, | Title: Crimson Sextet Takes Early Lead, Wallops Norwich, 10-2, at Watson | 1/14/1960 | See Source »

...Harvard prepares for its Corbusier-designed Center for the Visual Arts, the question of University encouragement of student efforts in the fine arts comes up once again. Though for the past few years the Fogg Museum has given space for the showing of student works of art, on recent efforts has been made to revive Portfolio...

Author: NO WRITER ATTRIBUTED | Title: 'Portfolio' Revived | 1/13/1960 | See Source »

...tonal. (Concerning Threni, Stravinsky has mentioned the "triadic references in every bar.") Also, the series is fragmented, transposed and otherwise manipulated so that lines recall Oedipus Rex and the Canticum instead of Schoenberg. The rhythm and scoring is all Stravinksy; in particular the reserved, consciously archaic Stravinksy of the past few years; more reflective, less apparently expressive than, say, Krenek's twelve-tone setting of Jeremiah, also deliberately archaic...

Author: NO WRITER ATTRIBUTED | Title: Stravinsky: Threni | 1/13/1960 | See Source »

First | Previous | 136 | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 | 151 | 152 | Next | Last