Word: passionately
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...stifling, are sincere. The story itself, slightly artificial but cleverly told, is a product of older Harvard : Elam Dunster, great-great-grandsired by a Harvard president returns to his professor-father from a sophisticated childhood in Europe with his runaway mother and her lover. He discovers a quixotic passion for an absent professor's young wife. No Brahmin ban, but his mother's wisdom, restrains him from "rescuing" the girl, eloping with her, in the name of Individualism. The mother points out that such revolts, to be satisfactory, must be purely selfish...
...splendid feeling for the fitness of things inspires that ever growing class of intellectuals who adorn the backs of their slickers with wholesome sentiments of tender passion. And how the boys are learning to draw, too: fine big letters, girls' names, and even an occasional picture bring back sweet memories of rainy days at High School. It hurt a man awfully to have to stop ornamenting his slicker when he came East from Wide-Wide Plains, Kansas, and some even wandered as far as New Jersey so that they could continue this normal practice...
...childhood, he had suffered an incurable injury to his back which doubtless accounted for much of his irascibility. On the other hand, he was often tactless to a degree, pompous in his bearing, quick to give and take offense and often almost boorish in his treatment of inferiors. His passion was imperialism and no toe, no matter to whom it belonged, escaped his heel if its owner got in the way of his policy. Few men were a match for him in withering invective; none surpassed him. He was a statesman of the old Victorian school, which had much...
...Winnemac, the itch was inflamed to an ache, a passion for pure science and meticulous laboratory research. The purposes of Arrowsmith's contemporaries were shoddy, sloppy (there was a beefy Bible-banger, a medical Babbitt, an icy, calculating dollar-chaser). And even stronger than Arrowsmith's reactions against these was his love for the lonely, sardonic genius of the school, Max Gottlieb, Mephistophelian German Jew, brilliant immunologist, pure scientist...
Interwoven in this uneven melodrama is the suggestion, to be expected, of men being the sport of hidden strings of fate and passion. But sometimes, as in the actual marionette show put upon the stage, the strings are made too evident by the dramatist. Effects of huge shadows and splashes of vivid color sometimes divert attention from the fact that the characters themselves are pulled about in jerks. Miriam Hopkins, erstwhile of musical comedy, and Fredric March as the lover have several plangent scenes together, and C. Henry Gordon pitches about energetically as the husband. But the trail...