Word: passionately
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Dates: during 1960-1969
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...bitterness of the military men understandable. Still, most of their assertions about missed chances of victory are highly questionable. The notion that a quick strike by an unfettered U.S. military force would have promptly subdued the enemy ignores the whole history of the incredible tenacity, patience and xenophobic passion of Vietnamese nationalists. It also underrates their guerrilla fighting skills. A U.S. invasion of North Viet Nam to topple the Hanoi government must at times have had an obvious appeal to the military. But it is almost certain that this move would have provoked full-scale intervention by China, perhaps with...
Combining a scholar's passion for detail with a novelist's fertile imagination, Mujica-Lainez set about constructing from the few known facts a sumptuous, fictional Doge's Palace of the mind. Like that famous seat of the Venetian Republic, whose ceiling, walls and floors constitute a convulsion of visual splendor, Bomarzo's pages glitter with descriptions of processions, land and naval battles, landscapes, a courtesan's sultry rec room and a cabalist's murky study...
...watercolors he does, beautifully presented in the film, are reminiscent of Paul Klec. whom he admires. Anais Nin, a close friend of Miller's who came to the film's showing at Emerson, compared Miller with Fellini in their love for clowns. Both have a great passion for the circus. Fellini once said that if he hadn't become a filmmaker, he would have been a circusmaster...
...were to defecate on a church altar, for example, even a confirmed atheist would feel some sense of shock. In that shock, in the very act of profanation, some sense of the sacred would be reborn and reconfirmed. Opposites imply each other. Grotowski shows an audience the passion of man, his agony, his desolation, his death, and above all the violation of his body and his spirit. By portraying the utter humiliation of man, Grotowski reminds one that no prouder being ever issued from the hand...
...Budapest in 1936, and two years later the brilliant foursome traveled to the U.S., where their concerts and records raised chamber music to new heights of popularity. Their repertoire ran from the classical Beethoven and Brahms to moderns like Bartók and Milhaud, all played with a passion and Toscanini-like elegance that substantiated their preeminence as the best string quartet of the century...