Word: pas
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...Lake.” Though lacking overwhelming charisma, he made up for it with his superb partnering of an audacious Cornejo. Her abrupt, instinctual shifts in direction as she leapt at his shoulder felt as though they could hardly have been agreed to in the rehearsal studio. The climactic pas de deux consisted of serpentine twists and wraps and Soviet-style lifts, and what was lacking in emotional rapture was expressed in sheer physicality...
...section of George Balanchine’s full-length plotless ballet “Jewels.” Considered the crown of Balanchine’s jazzy, bold, American-inspired works, it fits its Stravinsky score like a glove. Misa Kuranaga absolutely nailed the glamour, sexiness, and sophistication the pas de deux demands, adding just the appropriate amount of vulgar. Her flawless technique and assured assimilation of the role originated by Patricia McBride was aided by James Whiteside’s able partnering. Whiteside later appeared in “Ein Von Viel,” a modern ballet choreographed...
...because it's pretty much lifted from a Ben Stiller movie: hapless Sam (Kyle Bornheimer), just engaged, tries to impress his future in-laws, but every attempt ends up disastrously. (In the first episode, he accidentally convinces his wife's family that her father is dead, a social faux pas in most cultures.) It's game if unambitious, with plenty of misunderstandings and physical comedy that involve the violation of poultry. By the second episode, there are signs that the premise may not sustain for long (the title, after all, gives it only a week), but it still shows that...
...President Zardari's charm offensive on Ms. Palin was, well, offensive," wrote political analyst Mosharraf Zaidi in an op-ed for The News. "What excuse does the husband of a global feminist icon have for his faux pas?" he asked in a reference to the late Benazir Bhutto's status as the Muslim world's first female Prime Minister...
...show-biz satirist with throw-away gags and celebrity spoofs, Friz Freleng is the least contorting, while Jones's specialty, comic character, is unusual for the chopping-up of motion and the surreal imposition: a Robin Hood duck, whose flattened beak springs out with each repeated faux pas as a reminder of the importance of his primary ineptness), the Warner cartoonists are refreshing iconoclasts because they concentrate on so many other humor antecedents besides brutal mishaps, cultural punning, ballet-like sadism" - then top it with the snappy summation that "the good ones are masterpieces and the bad ones aren...