Search Details

Word: parthenon (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...Rothschild, Mmes. Kandinsky and Léger, Ludmilla Tcherina, Yves Montand and Ella Fitzgerald. He called the museum "an important step in the history of the spirit" and concluded: "It was on a night like this that we heard the last blow of the hammer that completed the Parthenon. It was on a night like this that sounded the last blow of the hammer to Michelangelo's St. Peter's." -Yves Montand followed with some Parisian chansons, but he could not top that...

Author: /time Magazine | Title: Museums: A Place on the Riviera | 8/7/1964 | See Source »

...Hague, Marcel Breuer built a blunt, lantern-windowed structure as stolid as a Dutch door. In Athens, Walter Gropius used the same Pentelic marble that forms the Parthenon. Edward Durell Stone's grillwork adorns New Delhi like a Hindu temple. In Baghdad, José Luis Sert put up a tentlike structure fit for a caliph and cooled by channels of river water. Saarinen warmed his Oslo embassy with teak screens; Yamasaki lightened his Kobe consulate with airy Japanese panels. The openings of U.S. embassies have come to be as eagerly anticipated as big Broadway first nights. This month...

Author: /time Magazine | Title: Art: Opening Nights | 5/29/1964 | See Source »

...Fred Kappel, at 62, remains essentially a small-town boy who retains the earthy and often unsophisticated ways of the heartland. He runs the most modern of corporations from an old-fashioned office in a lower Manhattan building whose Doric columns and tiled floors are defiantly unmodern. In this Parthenon of the William Howard Taft era, Kappel still converses in the slangy, twangy argot of his native Albert Lea, Minn., can still cuss on occasion like the pole-hole digger he once was. One significant term that often salts his conversation is "long-nosed." Says Kappel...

Author: /time Magazine | Title: Corporations: The Bell Is Ringing | 5/29/1964 | See Source »

...foundry came to Capralos late. During his student days in Paris at the Grande Chaumiere, he was so poor that he filched sketching pads. Accused of the theft by an English art student, Capralos threw back the Elgin marbles: "You rich Englishmen have stolen the whole frieze of the Parthenon! How dare you protest when a poor Greek takes a sheet of your paper?" During World War II, Capralos made his own warring frieze a 135-ft. by 33-ft. monument, in plaster relief, to the Greek repulse of the Italian army in the Pindus Mountains No one bought...

Author: /time Magazine | Title: Art: Sculptor of Gods | 12/6/1963 | See Source »

ALFRED JENSEN-Graham, 1014 Madison Ave. at 78th St. (third floor). More checkerboards than a shelfful of Purina boxes. Among them: Men and Horses, a three-panel impression of the Parthenon frieze that might have been done by a nearsighted mosaicist, and a monster quad-ruptych called The Birth of the Triglyph...

Author: /time Magazine | Title: Uptown, Midtown, Museums: Art: Nov. 22, 1963 | 11/22/1963 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | Next