Word: parteing
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...trial under very favorable circumstances next July. The letters which we have published from "A Yale Graduate of '69" have given a very full account of the project and its claims to the support of college oarsmen. We regret that it seems impossible for Harvard to take any part in this regatta this year, but hope that the question of entering a crew will be carefully considered next year after the experiment has been tried for the first time. We should not desire to see anything interfere with the annual race with Yale, but if a crew could be entered...
...Nine really is. Most of those men who have been nominally training have not so far taken a course calculated to raise the greatest hopes of their success, but we feel confident that they are capable of a great deal. What is needed is good faithful training on the part of the men, and constant attention from the captain in keeping them at work. During the vacation they will have the unusual advantage of practice with the Boston and other clubs, and if they make the most of such opportunities we see no reason why they will not be well...
...opportunity of enabling the public to hear piano-forte music of a high order. Be that as it may, these of us who do attend could then, at least, enjoy the concert under more favorable conditions. Boylston Hall must either be oppressively close and warm, especially in the back part, or those sitting in that part of the room must be in danger of freezing. Furthermore, the arrangement of lights is extremely disagreeable and very trying to the eyes. If the recitals must be continued in this hall, we would suggest that something be done to obviate this annoyance...
...anybody ever asks my advice again I shall say, "If you want to get the greatest good out of your college course, and are prepared to bear the scorn of mark worshippers, take solid electives. But if you want to shine upon the rank-list and have a Commencement part, devote your time to ethics and the modern languages...
...given last Friday evening in Boylston Hall. Before beginning his programme, he spoke briefly of the origin and development of instrumental music and of the Sonate form in particular giving the reasons for the number and sequence of the movements as well as the order of their component parts. His programme consisted of Bach's Italian Concerto in F major; Sonate Pathetique and Sonate op. 109 by Beethoven; Impromptu in G b major and Nocturne in E major by Chopin; and the Hunting Chorus from Mendelssohn's Songs without Words. The programme was one alike interesting in representing the evolution...