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Word: paramount (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...biggest factor in this success is that Hollywood has emerged from ten years of soul-searching, issue-oriented movies with a batch of flicks like Heaven Can Wait and National Lampoon's Animal House that are sheer fun. Paramount Chairman Barry Diller has three big hits -the result, he says, of "a decision to get into pictures that made people feel good...

Author: /time Magazine | Title: Show Business: Hollywood's Hottest Summer | 8/21/1978 | See Source »

...could soon end the happy-movie trend. Woody Allen's first try at straight drama, Interiors, broke the house record for its first week in New York. That could be a sign of things to come, or may simply reflect the loyalty of Woody's fans. Even Paramount, which has made the most money from escape flicks this summer, is pinning its fall hopes on Terrence Malick's Days of Heaven, a bleak story about migrant farm workers in Texas...

Author: /time Magazine | Title: Show Business: Hollywood's Hottest Summer | 8/21/1978 | See Source »

...always on the go," says Arthur Penn. "He travels light and takes one small suitcase from coast to coast. I guess you'd call him a very rich migrant worker." Last week Beatty arrived in New York to organize the advance screenings of Heaven Can Wait and harass the Paramount sales force with endless queries. It took the elegant Carlyle Hotel two days to determine whether or not he had actually checked into his suite. At one point a maid burst into his room, found Beatty on the telephone and complained: "Nobody has slept in the bed again. I want...

Author: /time Magazine | Title: Warren Beatty Strikes Again | 7/3/1978 | See Source »

After all, lawyers, as entrepreneurs, are paramount elements of a free society, and they remain the most effective champions of human rights and liberty...

Author: /time Magazine | Title: Letters, May 1, 1978 | 5/1/1978 | See Source »

...film's vague story starts at the peak of Freed's career, when he was spreading the rock gospel on New York radio and staging riotous live shows at Brooklyn's Paramount Theater. Much of the screenplay appears to be Hollywood fantasy. In his desire to pander to adolescents, Writer John Kaye has transformed his hero into a Christlike figure: kids grovel at the deejay's feet while rockhating adults hound him literally to his death. The real Freed, a self-destructive man who died at age 43 in 1965, is far more fascinating than Kaye...

Author: /time Magazine | Title: Cinema: Rock Follies | 3/27/1978 | See Source »

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