Search Details

Word: paramount (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

There was Walter Matthau playing top banana on the set of Paramount's A New Leaf, clowning around between takes in a fright wig that combined the best of Geronimo with the worst of Phyllis Diller. But once the cameras start rolling, insists Walter, he is strictly supporting cast for the film's director, scriptwriter and female lead. And who might they be? "They," all rolled into one neat package, happen to be Writer-Comedienne Elaine May, who is now going into moviemaking in a big way. What's more, says Matthau, Elaine is "a tough little...

Author: /time Magazine | Title: People: Sep. 12, 1969 | 9/12/1969 | See Source »

Although President Nixon pledged during his campaign to keep the oil industry's depletion allowance at the present 27½%, Kennedy accepted the House decision to roll it back to 20%. In doing so, he tacitly recognized that the allowance has become the paramount symbol of tax favoritism. Kennedy scoffed at suggestions that the reduction might force most independent operators out of business...

Author: /time Magazine | Title: Business: NIXON'S SURPRISE CALL FOR MILDER TAX REFORM | 9/12/1969 | See Source »

...five months, Cool has been held from release by a variety of intra-and extramural crises. Trade rumor has it that Mayor Daley's office is displeased with the film. It is known that one member of the board of Gulf and Western, the conglomerate that owns Paramount, threatened to resign if the film were ever released. Jack Valenti and his Motion Picture Association shock troops registered considerable displeasure over some of the obscenities in the dialogue. "I wrote them and said I'd be glad to fix it up," Wexler reports. "Only I said every time someone...

Author: /time Magazine | Title: New Movies: Dynamite | 8/22/1969 | See Source »

...battle with Hollywood is far from over. Recently, the associate producer of Isadora, Universal Pictures, hacked away 39 minutes without the assent of Director Karel Reisz. But for The Midnight Cowboy, John Schlesinger achieved total freedom. "United Artists didn't come near me," he boasts. And Paramount Pictures has granted Mike Nichols final authority over Catch-22. It is happily in the French tradition that the facts are finally catching up with the auteur theory...

Author: /time Magazine | Title: Cinema: The Film Maker as Ascendant Star | 7/4/1969 | See Source »

...times, she can be downright mean. Melina Mercouri, she reported, "had wall-to-wall hips, an ear-to-ear mouth, and more teeth than a pretzel has salt." Occasionally, the sarcasm cuts closer to home. Before she married Douglas Cramer, who is now head of TV production at Paramount, in 1966, Joyce described him in her column as "the kind of man who takes traveler's checks to Santa Barbara...

Author: /time Magazine | Title: Columnists: Return of the Gossip | 6/27/1969 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | Next