Word: paramount
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Dates: during 1940-1949
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Movies. At a televised meeting in Manhattan, stockholders of Paramount Pictures, Inc. approved separation of the company's motion-picture and theater divisions, as provided by the consent decree between Paramount and the Department of Justice (TIME, March 7). As of next Jan. 1, President Barney Balaban will be head of a new Paramount Pictures, Inc., and Leonard Goldenson will become president of United Paramount Theaters, Inc., operating or owning 1,424 movie theaters...
Strangely enough, the comedy sequences are funny in the same way that the Old Howard comics are funny. Observers laugh first because they can spot the gags upwards of a mile ahead of time, and second when they find they were right. This situation arises because Paramount has followed alarmingly closely (for Hollwood) the original Twain work. To be sure, they schmalzed up the beginning and end and threw in a little sledgehammer moralizing in the middle, but they kept their grubby paws off much of the Twain dialogue and all of the comedy situations...
...Whispering Smith (Paramount) 2) Family Honeymoon (Universal-International) 3) A Letter to Three Wives (20th Century-Fox) 4) Mother Is a Freshman (20th Century-Fox) 5) South of St. Louis (Warner...
...Paso (Paramount) is a morally cross-eyed western about a young Eastern lawyer (John Payne) who has trouble telling right from wrong. Payne, just back from the Civil War, arrives in El Paso in search of his sweetheart (Gail Russell) and finds the town in the grip of violence and disorder. Landgrabber Sterling Hayden and his corrupt stooge, Sheriff Dick Foran, have the townspeople terrified. At first Payne tries unsuccessfully to unseat the villains by due process of law. Then he takes to rabble-rousing. Meanwhile, he begins to wonder if the end (civic order) justifies the means (taking...
After a flurry of protestations and denials in Hollywood, the Eastern home offices of the five big studios (MGM, Paramount, Warner Bros., 20th Century-Fox, RKO Radio) put out a confirmation and a pious explanation. Their decision to let Oscar fend for himself, they said, was not "commercialistic," but "in the interests of less commercialization . . . The companies should not be in the position where they can be accused of subsidizing an artistic and cultural forum. In fact, they so have been accused often in the past...