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Word: panse (lookup in dictionary) (lookup stats)
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The wartime situation allows Rossellini sequences in bombed-out Milan, scenes in prison cells, even montages using newsreels of bombing raids. But it's his visual style more than his settings that makes General della Rovere profoundly realistic. Another director might take the space of a certain scene as a...

Author: By Mike Prokosch, | Title: The Moviegoer General della Rovere | 9/29/1969 | See Source »

The critics had grounds for apprehension - but on quite another score. They were gathered for the American premiere of Krzysztof Penderecki's The Devils of Loudun by the Santa Fe Opera, a troupe known for its firm (and rare) conviction that contemporary opera deserves a place right alongside the...

Author: /time Magazine | Title: Opera: The Devils and Reardon | 8/22/1969 | See Source »

MAX OPHULS' camera motions create the famous 'romanticism' of his films. The pans and traveling shots of The Exile (1947) don't just follow his characters; they give an extraordinary grace and sweep to the characters' motion through their physical surroundings. The shift from a male to a female protagonist...

Author: By Mike Prokosch, | Title: La Vie Extraordinaire de Lola Montes | 7/8/1969 | See Source »

Nixon therefore devised an intricate strategy directed at Hanoi and the National Liberation Front. By meeting with South Viet Nam's President Nguyen Van Thieu and spelling out the common ground between Washington and Saigon, he tried to underline the solidarity of the two governments in the face of Communist...

Author: /time Magazine | Title: Nation: THE PROSPECTS FOR DISENGAGEMENT | 6/20/1969 | See Source »

Now that New York City has but three major newspapers, Barnes has unprecedented authority, even for a Times critic. His raves can light up marquees for two years; his pans have flushed million-dollar musicals into the Hudson River. Staking out territory where first-stringers rarely used to tread, he...

Author: /time Magazine | Title: Critics: Overachiever | 4/11/1969 | See Source »

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