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Unlike Judith Hearne, High Tide is not whiny and overexplained. And under the direction of Gillian Armstrong (My Brilliant Career, Mrs. Soffel), the lead actresses have an honest naturalism that almost makes us forget the coincidences and arthritic manipulations of Laura Jones' script. But instead of calming our suspicions, Armstrong...

Author: /time Magazine | Title: Cinema: Last Chance for Lost Lives | 2/1/1988 | See Source »

THE CAMERA pans across a ballroom filled with decadent partygoers. Strains of a Viennese waltz can be heard in the background. The waltz becomes diabolical as the camera zooms into actress Joan Chen's face. A tear rolls down her marble-white cheek. She picks up a lily and starts...

Author: By Esther H. Won, | Title: Man of La Manchu | 1/8/1988 | See Source »

The laughs in this movie, and there are many, stem from its broad, broad comedic style combined with some of the most irreverent camera work since the Coen brothers' farcical Raising Arizona. DeVito has enough smarts to realize that the unlikely plot machinations of Momma call for unconventional visual tricks...

Author: By Aline Brosh, | Title: La Dolce DeVito | 12/11/1987 | See Source »

A man is happily driving his car 55 mph. He approaches a four-way intersection where the traffic light is broken. He and three other cars are driving full speed toward each other--it's too late to avoid a collision. Horrific screeches and cries are audible as the vehicles...

Author: By Eric Pulier, | Title: Morons and Millions | 10/8/1987 | See Source »

Isn't Sir Terence Conran busy enough for one family? After all, he runs a 900- store empire on both sides of the Atlantic, selling furniture, housewares and clothes that bear his imprint. But no, other family members have got into the act. His son Sebastian, 31, runs an industrial...

Author: /time Magazine | Title: Design: The Conrans: A Genuine Dynasty | 7/20/1987 | See Source »

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