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What's My Line? comes in the standard half-hour size, equipped with a standard panel of four: Columnist Dorothy Kilgallen, Actress Arlene Francis, Funnyman Hal Block and a guest. By asking questions that can only be answered with a yes or no, the panelists try to discover the business occupations (which have already been flashed to the TV audience) of the lady wrestlers, tree surgeons, wig-makers, house detectives, sword swallowers, etc. who appear as challengers. Each "no" answer wins $5 for the challenger; if he can answer no ten times he gets credit for defeating the panel...

Author: /time Magazine | Title: Radio: The Vanishing Newsman | 9/17/1951 | See Source »

This does not happen very often, and when it does the panel seldom takes it lightly. Among the 5,000 letters received each week, a good number usually protest Miss Kilgallen's relentless onslaught (observed one TVman: "Dottie's butler gets very annoyed if she misses one"). Almost as many take issue with the puns Funnyman Block incorporates into his earnest questions. Others charge collusion, although Moderator Daly insists that there is only one signal he ever gives to the panel: when he pulls his right ear lobe it warns them, usually Block, that the questions are getting...

Author: /time Magazine | Title: Radio: The Vanishing Newsman | 9/17/1951 | See Source »

...this emotion-charged atmosphere, Moderator John Daly appears to his fans as a knight in armor holding the panel in check, giving a helping hand to the challenger, and occasionally topping Hal Block's jokes. Daly is somewhat surprised himself at his master-of-ceremonies aptitude; his background for the job consists of five years as a White House correspondent, 2½ years as a radio war correspondent and 19 weeks playing the role of Editor Walter Burns in the ill-fated TV version of Front Page...

Author: /time Magazine | Title: Radio: The Vanishing Newsman | 9/17/1951 | See Source »

Reinforcement of towers and masonry came first, but by last year trained workers began chipping away the rest of the Marienkirche's whitewash. Slowly they uncovered panel after panel of 13th and 14th Century work. With crude but forceful strokes, the old Gothic craftsmen had covered the walls with stately saints and serene virgins, friezes of animals and flowers, medieval street scenes, vignettes from the Bible and Aesop's fables. The colors, brilliant reds, blues, greens and yellows, were still unfaded...

Author: /time Magazine | Title: Art: Under the Whitewash | 9/10/1951 | See Source »

...mural's other panel, Cuauhtémoc appears as a conqueror (which he was not), dressed in the armor of the men who beat him and wearing an Aztec crown. "He's a fighting symbol of our national independence," Siqueiros said, "of independence not yet entirely won." Added Siqueiros, who keeps up to date on party literature even when busy with a spray gun: "I see in Cuauhtémoc [a prototype of] Mao Tse-tung of China, Luis Carlos Prestes of Brazil, the leaders of the Viet Minh and the fighters for the nationalization of Iran...

Author: /time Magazine | Title: Art: Paint & Powder | 9/3/1951 | See Source »

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