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...Honeymoon. Most of the dialogue is divided between baby talk and the rasping argot of the underworld. Most of the interest is divided between a pair of pajamas and a package of stolen bonds. What comedy there is rests with a "dern it" constable and the illness of the hero on smoking his first cigar. Of the group, the pajamas are the most satisfactory...

Author: /time Magazine | Title: Theatre: New Plays: Aug. 20, 1923 | 8/20/1923 | See Source »

Concealed in a pair of pajamas and a fur coat, the heroine (Boots Wooster), elopes with the hero (Kenneth MacKenna). Concealed in the coat lining are the stolen bonds; concealed in the heroine's past is a presumably dead husband. The husband comes out of the past, the bonds out of the lining, and the heroine out of the coat. The faithful chauffeur appears with a revolver and forces the supposed husband to confess to looking exactly like his dead brother and to stealing the bonds. Then comes the punch of the play. It turns out?you'll hardly believe...

Author: /time Magazine | Title: Theatre: New Plays: Aug. 20, 1923 | 8/20/1923 | See Source »

Walter Johnson, Washington pitcher (American League) : "I admitted I am not as good as I was 10 or 15 years ago. 'It's a pair of weak legs,' said I, 'rather than an ailing arm that is robbing me of much of my speed...

Author: /time Magazine | Title: Imaginary Interviews: Aug. 20, 1923 | 8/20/1923 | See Source »

Throughout the Winter there was noted in the tangle of traffic in the New York theatre district a certain automobile radiator mounted with a sweeping pair of steer horns. Little boys, old men, actors, girls, prosperous personages stopped to gaze agape at the primitive ornament. " Must be advertisin' something" was the preliminary reaction. Closer inspection revealed that it was advertising something...

Author: /time Magazine | Title: The Theater: Ride 'Em, Cowboy !: | 8/20/1923 | See Source »

...Hollywood varieties of "daughters'' go straight to the Nether Octopus of Shame, via the bathing-revel and flask-party route or seeing one of them won away from rouge, the Ritz and high-hattiness in general by kittens, tame canaries, rural atmosphere and the sight of a pair of baby-rompers. But The Love Piker temporarily swings the weight of ennui in the latter direction. Hope Warner (Anita Stewart) was a frightful snob. She broke the speed laws, owned a Pekinese, and when rescued by the stalwart Martin Van Huisch first from the hoosegow and then from a rafter stories...

Author: /time Magazine | Title: Cinema: The New Pictures Jul. 23, 1923 | 7/23/1923 | See Source »

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