Word: painters
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...artist's-eye view of the varied and violent week in Chicago, TIME turned to the distinguished painter and lithographer Jack Levine, whose work has earned him a reputation as a caustic observer of American politics. His sketches illustrate the Nation section's convention report...
...expressway leading to Chicago's International Amphitheatre, workmen slapped a new coat of silver over the mud-spattered dividing rail. On streets surrounding the hall-many of them barred to all but VIP vehicles-lampposts were painted kelly green. Even fire hydrants were touched up by the painter's brush. Redwood fences, in a rainbow of pastels, hid junkyards and trash-strewn lots from the eyes of passing drivers and their passengers...
...Review come upon this incisive but altogether forgotten Frenchman? Pretty much by happenstance, says Editor Barbara Epstein. Painter Leonid Berman, an old friend who has a cherished collection of Grandville's il lustrated books (all now collector's items), proposed Grandville. Delighted with Grandville's rangy repertoire, Editor Epstein has published his drawings in nearly every issue since...
Edouard Vuillard was, in his own words, an armchair painter. In search of subject matter, he rarely ventured beyond the Montmartre apartment he shared with his mother, and then only to the homes of his few close friends. The apartment also served as his mother's dressmaking shop; it was constantly alive with seamstresses and customers exchanging confidences about fittings, and cluttered with bolts of satins and silks, ribbons and pattern snippings. In this homely setting, Vuillard, who derisively referred to himself as "the in-timist," fashioned vignettes of quiet domesticity that suggest a less radiant...
Subtle Materials. Vuillard was the greater artist, but it was his schoolboy friendship with Roussel that steered him to painting. When Roussel enrolled with an art teacher, Vuillard decided that he also wanted to be a painter, and succeeded in enrolling at the Ecole des Beaux-Arts. Unhappy with its rigid academicism, he transferred to the somewhat freer atmosphere of the Academic Julian, where he met Bonnard, Maurice Denis and Vallotton. Calling themselves the Nabis (Hebrew for prophets), they formed a group to perpetuate Gauguin's theories on painting, Mallarme's on poetry. "To name an object...