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...generations his family had been turning out sculptures to adorn the great villas and palazzi. Young Louis seemed destined to follow the tradition. But when he was 18, he became disgusted with Mussolini's Italy, set out for Canada and then the U.S. He worked as a house painter, as an interpreter at Manhattan's Pennsylvania Hotel, then as a waiter while he studied art under the great realist John Sloan. In time, such museums as the Metropolitan, the Whitney, and the Worcester Museum of Fine Arts owned canvases by him, and Bosa himself became head...

Author: /time Magazine | Title: Art: The Personal Touch | 7/18/1960 | See Source »

Cost & Cure. For so French a painter, it is ironic that Normandy-born Poussin did almost all his work outside his native land. After studying anatomy in a Paris hospital, he set out for Rome, where he filled notebook after notebook with sketches of ancient ruins and nearly starved to death. Once, when the Vatican was at odds with Cardinal Richelieu, papal troops tried to beat the Frenchman up. He caught syphilis, and partly to avoid further temptation, married the daughter of the pastry cook who nursed him back to health. The disease left its mark-trembling hands and eventual...

Author: /time Magazine | Title: Art: The Great Disciplinarian | 7/18/1960 | See Source »

Through a combination of pressure and promises, France lured him back to Paris, at least for a while. He was made First Painter to the King, was installed in a splendid house in the Tuileries gardens. But within two years, the intrigues and jealousies of Louis XIII's court had driven him back to Rome. And there, in 1665, "overcome with infirmities of every sort, a foreigner without friends," he died at 71. "They preach patience to me as a remedy for all ills," he wrote in his last, despairing year. "I take it as a medicine that costs...

Author: /time Magazine | Title: Art: The Great Disciplinarian | 7/18/1960 | See Source »

...competence, craftsmanship, honesty, and individual vision." It went on: "Skillful manipulation of pigment has taken precedence over the expression of deep human involvement. The Festival entries underline this generalization. . . . In particular we missed the more disciplined constructive aspect of image making, and, at the other extreme, the painter's pure joy of uncovering the visible world. We observed with regret that some of the most vigorous painters of our regional community did not participate in the exhibition...

Author: By Caldwell Titcomb, | Title: Arts Festival Exhibits Stir Up Controversy | 7/5/1960 | See Source »

...hardy mountaineers set about picking up their lives, and Gary set out for home. In his notes, he has almost nothing to say about the cause or cure of war; he neither reviles nor glories in it. Already the future novelist was simply recording human experience, usually with a painter's touch that gives the Memoir its most notable quality. Gary's own drawings illustrate and complement a text that owes as much to the eye as to the mind...

Author: /time Magazine | Title: Books: Small War Remembered | 6/27/1960 | See Source »

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