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...Painter Alexander Brook, the first goal of an artist should be "to make each work more magical than the one before." This gets harder as a man gets older. But last week in the summer port of Ogunquit, Me., a new one-man show of 31 paintings by Brook shows that the magic has been pretty well distributed over a long lifetime. The show reaches back to 1924, ranges in subject from an affectionate portrait of a puppy, to broad, brooding landscapes, to snapshots of young girls caught at some moment of loneliness. Brook is a lusty personality who uses...

Author: /time Magazine | Title: Art: That First Quick Look | 8/3/1962 | See Source »

Pause Between a Breath. He is out of the public eye these days, neglected by the chichi but not forgotten. The excellent little new museum in Ogunquit, run by Painter Henry Strater, has in past years given similar one-man shows to Mark Tobey, Morris Graves and Andrew Wyeth. As an artist, Brook respects such innovators as his fellow Long Islander, the late Jackson Pollock, the master dripper. The people Brook resents are those faddists who promote abstract art and will enthuse about nothing else. He also has an oldster's dismissing attitude toward those younger artists...

Author: /time Magazine | Title: Art: That First Quick Look | 8/3/1962 | See Source »

...unfortunate weakness in experimental drama is the same flaw present in non-objective art - anyone can try his hand at it. It is too bad that we can not legislate on the arts and make it an offense for anyone but an established writer or painter to play with the experimental forms; as it is, we have chimpanzees riding tricycles over paint-smeared canvasses, and, alas, we have Ellis Andrews writing off-Broadway plays for the Cohasset Music Circus. The results are comparable in quality...

Author: By Richmond Crinkley, | Title: 'The Two-Headed Baby' | 8/2/1962 | See Source »

...famous examples of Lloyd's antics on the outside of a skyscraper is also fantastic to watch. Trapped in a mail sack which is resting dangerously on a painter's scaffold being pulled non-chalantly up the side of the building, Lloyd teeters back and forth, causing the audience to first gasp at the suspense and then roar at the near misses of a fatal plunge to the street below. One wonders how he ever survived the situations he mixed himself up in order to produce such amazing comedy...

Author: By Arthur G. Sachs, | Title: Harold Lloyd's World of Comedy | 7/30/1962 | See Source »

...ragged column of Nazi conscripts marching toward Poland was suddenly startled when a middle-aged recruit dropped out of line, turned around, and started marching homeward at the same tempo. A sergeant barked at him to stop, but Painter Werner Gilles replied mildly and matter-of-factly, "That blackbird up in that tree just told me, 'No, no, Gilles, this can come to no good.' " In time, Adolf Hitler's army psychiatrists sent Gilles back to the safety of civilian life, but for the painter the talking blackbird had been as real as the barking sergeant...

Author: /time Magazine | Title: Art: The Hinterside of Life | 7/13/1962 | See Source »

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