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GAUGUIN, by Henri Perruchot. More than any other painter in history, Gauguin's life has been documented, dissected and glamorized, and yet this book is still a substantial contribution to the body of work about him. Perruchot's achievement is his understanding of Gauguin's drives and motives, set down without sentimentality or bravura...

Author: /time Magazine | Title: Television: May 22, 1964 | 5/22/1964 | See Source »

...sculptures from the private collections of alumni and parents of the Dalton School, lent to benefit the alma mater. They include Cezanne's Under the Trees, Klee's Landscape with Signs, Picasso's witty Nude and Woman Washing her Feet, Hofmann's The Conjurer (a painter mid his pots), Calder's 1963 mobile, Yellow Flower. Through...

Author: /time Magazine | Title: Art: UPTOWN: may 22, 1964 | 5/22/1964 | See Source »

ROBERT INDIANA-Stable, 33 East 74th. Like the young visionary Hart Crane, who saw the Brooklyn Bridge from his window 40 years ago and hymned it in verse, Robert Indiana, painter of the American Dream, sees the bridge every day from his studio. In homage to the poet he committed it to canvas in a four-faceted diamond filled with silver, singing girders. It is part of Indiana's American-dream theme, as are his Mother and Father Diptych showing his parents stepping into a Model T and his word columns-salvaged sailing-ship masts covered with typical Indiana...

Author: /time Magazine | Title: Art: UPTOWN: may 22, 1964 | 5/22/1964 | See Source »

GREGORIO PRESTOPINO-Nordness, 831 Madison Ave. at 69th. As a painter, Prestopino carries no excess baggage: he carves clean chunks of landscape from pastry-rich impasto, props blunt black boulders and fallen trees around like sentries, guides the eye to figures of feverish hue-orange, red, pink, green-wading in lily ponds and squatting in lakes. Recent oils. Through...

Author: /time Magazine | Title: Art: UPTOWN: may 22, 1964 | 5/22/1964 | See Source »

...Great Criminal. When he turned his back on business and family to become a fulltime painter, he announced the decision with a typically self-conscious flourish: "Oh, yes, I am a great criminal. What does it matter! Michelangelo was too!" He exchanged his stockbroker's black business suits for a fisherman's blue jersey and high boots, retreated to cultivate a new role-"the austere heretic," in Pissarro's words, who "pontificated and was followed by a train of young...

Author: /time Magazine | Title: Books: The Austere Heretic | 5/15/1964 | See Source »

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