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Louis XIII furniture is dark, heavy and austere, and as such has much in common with massive Spanish cabinetry, which is also coming back into vogue. Both mix well with the trim structural look of modern furnishings. Painter Pierre Soulages took a fancy to Louis XIII, and Manhattan Art Collector and Banker Robert Lehman uses it to accent his apartment. Dior's top designer, Marc Bohan, redecorated his apartment in the period. "I like things simple, austere even," he says. "It's my style. Also the soft, neutral colors of Louis Treize suit me." As different a type...

Author: /time Magazine | Title: Antiques: A Straighter Bourbon | 1/15/1965 | See Source »

Adolf Hitler was a frustrated painter, but he and his Nazi crony Goering compensated by collecting art. At last the West German government has figured out what to do with the remainder of their vast personal collections, which for the past 20 years have festered unseen in the dark basement of a classicistic pile in Munich designed fittingly by Hitler himself...

Author: /time Magazine | Title: Collections: Out of the Cellar | 1/8/1965 | See Source »

...minority opinion among critics at last summer's Venice Biennale was that the top prize should have gone to a U.S. painter who is far from pop. He is Kenneth Noland, whose work, along with that of his stylistic comrade, the late Morris Louis, was presented in the official U.S. exhibit as an alternate direction to that taken by Prizewinner Robert Rauschenberg (TIME, Sept. 18) and Jasper Johns (TIME...

Author: /time Magazine | Title: Painting: Peacock Duo | 1/8/1965 | See Source »

Disneyland Chevrons. Noland rarely paints smaller than 4 ft. by 4 ft. Yet he does not want machinelike perfection. "I'm a one-shot painter," he says, and in his Bridge he deliberately left the splatter of orange on yellow. Noland dares to parallel magenta, russet, beige and maroon in a lollipop war of taste. Sometimes he rams and jams his bright color bands into asymmetrical chevrons like a Disneyland sergeant gone askew...

Author: /time Magazine | Title: Painting: Peacock Duo | 1/8/1965 | See Source »

...already probed, as he put it, "beyond impressionism" and had become an unwitting prophet of the surrealism to come. More important, after many self-doubting years of dabbling at writing and moonlighting as a violinist, he declared during a Tunisian trip: "Color and I are one. I am a painter." Once he had wondered: "Am I God?" Now he was sure that his creative fire exceeded "white heat. In my work, I do not belong to the species, but am a cosmic point of reference...

Author: /time Magazine | Title: Books: Psychic Penmanship | 1/1/1965 | See Source »

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