Word: painterly
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...wrist and a ring on his finger; when wealthier, he capped the radiator of his chauffeur-driven automobile with a Rodin bronze. He arrived in France from Japan in 1913 wearing a purple morning coat and a pith helmet; eleven years later he was the most fashionable painter in Paris. Tsugouharu Foujita, now 79, is a living souvenir of the days when the School of Paris was in kindergarten...
...built this chapel to atone for 80 years of sins," says Foujita. He certainly gave himself opportunities to accumulate them. Descendant of a warlike samurai family, the Foujiwara (meaning "wild fields of wisteria"), the painter hobnobbed with Picasso, Apollinaire, Isadora Duncan and the catlike artists' model Kiki. Alexander Calder once exhibited his miniature circus at Foujita's soirees...
...does not always win such praise from O.K., as he signs his works. A far more personal statement is a recent oil, Saul and David, full of the swirl of clashing colors and impetuous brushstroke. Explains the painter: "I painted David next to the angry old man. The old man is biting his teeth because it's over." Then slapping his knee with vigor, Kokoschka adds, "He is furious at being...
...accounts of his World War II adventures as an OSS agent got him elected, were broadcast on This Is Your Life, serialized in the press, then exploded as a hoax in 1954 (he had never been in combat, was injured in an accident), after which he became a landscape painter; of a heart attack; in Long Beach, Calif...
...origin of Warhol's breakdown of illusionistic subject matter goes back to Robert Rauschenberg, painting in the fifties. Rauschenberg was the first painter to incorporate everyday objects directly into the composition of his paintings. Jasper Johns developed on this approach by focusing on familiar objects individually so that the objects became the center of interest rather than a visual component of a larger composition. Jasper Johns' painting of Three Flags is one of the first completely static paintings in modern art. Its lack of visual movement, makes it an almost emblematic representation. Yet, both Rauschenberg and Johns handle paint with...