Word: painterly
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...World Bank manipulations. In their way, they are as dour and simplistic as any Weatherman communiqué, and they lack the verve and pullulating fantasy of earlier Fahlstroms. They are participatory posters, meant as ironic distress signals. Granted their bald look, it can still be said that no painter has approached the radical dissatisfactions of the times with a blacker or edgier...
...panel (it measures 181 in. by 141 in.) had disappeared in the Middle Ages and reappeared late in the 19th century in the collection of the first Lord Newlands of Mauldslie Castle, a Scottish industrialist with a taste for painting. It was vaguely attributed to the 15th century Flemish painter Quentin Massys. But nobody paid much attention, least of all the owner's heir Violet, Lady Baird, who kept it in her cottage at Bray mainly because it reminded her of a dear friend. Then, in December 1967, she decided to sell a trinket or two. David Carritt...
...Deux-Eglises on Dec. 11, 1969. He did not record the conversation or take notes, but later felt compelled to reconstruct their conversation. Writes Malraux in his preface: "With surprise I found out that we know of no dialogue between a great historical figure and a great artist-painter, writer, musician. We have no better knowledge of Julius II's dialogues with Michelangelo than of their loud quarreling. Nor of those between Alexander the Great and the philosophers. We are astonished that Voltaire did not report his with Frederick the Great...
...harpies of legend, having once gripped an artist, are slow to let go. One of their regular victims has been Paul Gauguin. The image of the painter has been yanked, tugged, tortured and distorted by a succession of novels and films starting with Somerset Maugham's The Moon and Sixpence...
...native life from tourist photographs purchased in the grubby colonial port of Papeete. The most advertised side of the legend is also false. Gauguin's art was neither freed nor even significantly changed by the South Seas. When he left France in 1891, he was no Sunday painter but a mature artist with a circle of admirers that included Van Gogh, Maurice Denis and the Symbolist poets. Tahiti served only to inject new subjects into a vision and manner that had already set. This fact, crucial to an understanding of Gauguin's art, is elegantly documented...