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Rubens was not an esoteric artist. The world did not veil itself from him in ambiguities. Perhaps no other painter since Titian displayed such an assured possession of his own experience, and beside it, even Picasso's notable lebenslust seems rather cramped. In a sense, Rubens was to the 17th century in Europe (he died in 1640) what Picasso was to the first half of the 20th. But Rubens' influence then went on, which Picasso's shows no sign of doing, for another 200 years. First there were his ex-students, Anthony Van Dyck and Jacob Jordaens...

Author: /time Magazine | Title: Art: Rubens, the Grand Inseminator | 2/10/1975 | See Source »

There's a joint exhibit of the Graphic work of George Bellows at the Boston Public Library and the Boston University School for the Arts Gallery. Bellows was an American Realist painter of the 1920's--he's probably most famous for his painting of the knockout at the Dempsey-Firpo fight. Anyway, his stuff is good...

Author: By Kathy Garrett, | Title: GALLERIES | 2/6/1975 | See Source »

Died. Thomas Hart Benton, 85, Missouri-born regionalist painter; in Kansas City...

Author: /time Magazine | Title: Milestones, Feb. 3, 1975 | 2/3/1975 | See Source »

...poignantly suggest an imagination hobbled by its lack of prototypes. But a certain naiveté and brusqueness were, in any case, bound up with Dove's sense of aesthetic probity. It was part of what he called "going native." Dove was a very American painter: not only did he value his Americanism as such, but he equated it with dynamism, the very principle of modernity. "What do we call 'America' outside of painting?" he asked a friend. "Inventiveness, restlessness, speed, change. Well, a painter may put all these qualities in a still life or an abstraction...

Author: /time Magazine | Title: Art: Prophet and Poet of the Abstract | 2/3/1975 | See Source »

...vastly better than Les Violons du Bal. Both movies are about the humiliation and extermination of Jews, related through the experiences of a youthful protagonist. But all that was thoughtful in Malle's movie becomes smarmy in Les Violons du Bal-politics crushed into pastels for a Sunday painter's palette...

Author: /time Magazine | Title: Cinema: Pogrom Practices | 1/27/1975 | See Source »

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