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Similar Clemente performances in the paint can't be counted on, however, and the Crimson's more conventional inside players played with mixed results...

Author: By Martin S. Bell, CRIMSON STAFF WRITER | Title: M. Hoops Beats Xavier of Nova Scotia in Exhibition | 11/13/2000 | See Source »

...female miners whose jewel heists and drug deals land them in prison. Once there, we witness the requisite staples of the women-in-prison genre (making this the most lurid film Mikels ever made) as the girls engage in shower catfights, evade the lustful warden, and endure a bizarre paint-can-on-the-head torture session. They eventually escape to safety - and the waiting arms of Arab oil sheiks (again...

Author: /time Magazine | Title: Astro Zombies and Corpse Grinders | 11/10/2000 | See Source »

...Voter News Service (VNS), a consortium of the five major news networks and the Associated Press, provides the exit polling data. On election days, it relies upon 40,000 poll-takers at key precincts throughout the country to paint a composite portrait of the nation's voting...

Author: By Kirsten G. Studlien, CRIMSON STAFF WRITER | Title: Nation Demands Explanation For Blown Calls | 11/9/2000 | See Source »

...nightmare, Hallmark style. These lifeless, flat and relentlessly maudlin landscapes do the impossible: resurrect the bourgeois landscape of the 19th century without even the slightest hint of irony. Such unremitting cuteness might just as well have been the result of Snuggles the detergent teddy bear's experimentation with a paint-by-numbers kit while on vacation in Tuscany. To Lake's credit, several of her horizontal compositions are unusually strong in their geometric structure and most of her works accomplish their goal of illusionistic pleasantry. Nonetheless, an obvious insensitivity to nuance, subtlety and modulation suggests that most of these pieces...

Author: By John Hulsey, CRIMSON STAFF WRITER | Title: Mallory Lake: Italy Light and Shadow | 11/3/2000 | See Source »

...both use the self-portrait as a vehicle for complicated meditations on maternity, pain and nationality. In "Nesting I" (2000), four large-format Polaroids set side by side, the two photographs in the middle show the artist with her eyes calmly shut, her face decorated with yellow and green paint, her shoulders and neck with cruel scratches. The wooden bird perched upon her head in both pictures looks robotic and menacing; since the bird she chose is native to New England, I wondered if the photographs represent an intersection of Cuba and Massachusetts that Campos-Pons perhaps has trouble reconciling...

Author: By By KYLE Patrick smith, CONTRIBUTING WRITER | Title: Maria Magdalena Campos-Pons: Nesting and Karl Baden: Contact Sheet Self-Portraits | 11/3/2000 | See Source »

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