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...process was slow. The Japanese seemed willing and obedient but bewildered. Said one U.S. officer: "It's like telling a stenographer to bring a pad for dictation and having her so literal that she won't bring a pencil...

Author: /time Magazine | Title: Foreign News: About-Face | 10/1/1945 | See Source »

...asset. Just as in future years military tactics and strategy will be judged on whether they are pre-or-post Hiroshima, so diplomatic dealings today are dated backward & forward from Yalta. That was the key conference of World War II. Jimmy Byrnes was not only there; he was therewith pad & pencil in hand. His shorthand notes are still the best record-in the U.S., at least-of what went on at the Czar's Palace in the Crimea...

Author: /time Magazine | Title: FOREIGN RELATIONS: The First Big Test | 9/17/1945 | See Source »

Mumbling about what happens to the "hypothalamic proclivities" when they are released through concussion from "the higher control of the cortex," the special ist began to draw the marks of the wound on a scratch pad. "A person in this state," he concluded, "may find ... his disability offers a convenient escape from responsibilities, you understand...

Author: /time Magazine | Title: Books: A Bit Queer | 9/3/1945 | See Source »

...with a scholarship from the Pennsylvania Academy and some financial help from his parents, he set out for a look at the artistic life of France. His trip stretched into a four-year stay, during which he studied, worked and learned to carry a sketch pad wherever he went-even when he ventured into Paris' high-kicking night life. Unlike many a French-influenced U.S. painter who works his way toward the abstract, Levi plunged early into abstractions and progressed back toward a sort of poetic realism with surrealist overtones. A slow worker who produces less than a dozen...

Author: /time Magazine | Title: Art: Seagoing Southpaw | 3/12/1945 | See Source »

Soon after he settled in the U.S., British-born Francis Guy faced the fact that he would never get rich at his tailoring-and-dyeing business. To pad out his income, he tried an odd assortment of avocations-including verse writing, mixing toothache remedies and painting landscapes. None of these efforts made him rich, but his paint brush eventually attracted attention. Last week at Chicago's Art Institute, 125 years after his death, Francis Guy (1760-1820) was being referred to as a grandfather of U.S. landscape painting...

Author: /time Magazine | Title: Art: The Nature Lovers | 2/26/1945 | See Source »

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