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Although this film deals with some very heavy issues and attempts to paint a touching account of family bonding, the film moves far too quickly to be taken seriously. A serious emotional toll is packed into this 107-minute film, not leaving much room to explore these problems very deeply...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: The Last Song | 4/6/2010 | See Source »

Despite the show’s title, Gervais is hardly its focus. Instead, it is Karl, whom—despite his utter lack of stand-up, writing, or acting experience—Gervais has called “the funniest man alive in Britain today.” Over the...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: 'Ricky Gervais' Brings the Funny | 4/6/2010 | See Source »

Since then, their collaboration has resurfaced in confusingly myriad forms, but suffice to say that I have over 60 non-repetitive hours of Gervais-Merchant-Pilkington audio downloaded on my computer. (This, admittedly, may be more a demonstration of my own nerdiness than anything else.) Their most recent release is...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: 'Ricky Gervais' Brings the Funny | 4/6/2010 | See Source »

Hagebölling next presented “Roll Over Beethoven,” an array of installations made for the Bonn International Beethoven Festival in 2006. The piece, Hagebölling said, “aimed to meaningfully translate classical music” through use of audiovisual media.

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

”Roll Over Beethoven” also featured Kualshen Auson’s whimsical installation, “Scratching Beethoven.” Auson’s project harnessed the movement of ant colonies through a network of glass boxes to mechanically rotate a turntable playing Beethoven?...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

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