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Word: ourly (lookup in dictionary) (lookup stats)
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There those grand old trees have stood for nearly a century and a half! Through the years which witnessed the struggle for emancipation from the tyranny of the mother country, the war of 1812, and, lastly, the great fight for the equal rights of the whole human race, the elms...

Author: NO WRITER ATTRIBUTED | Title: THE GRANARY ELMS. | 2/27/1874 | See Source »

The destruction of the Paddock elms is only a stepping-stone to the appropriation of the Burying-Ground, and so on until there is nothing left to seize. And yet this is against the wishes of the majority of the citizens of Boston. Why, then, is it permitted to be...

Author: NO WRITER ATTRIBUTED | Title: THE GRANARY ELMS. | 2/27/1874 | See Source »

Among the etchings is a "St. Jerome in his Study," which we can compare with Durer's treatment of the same subject. In Durer's engraving everything is plain and clear. St. Jerome sits in his study, which is flooded with morning sunlight. Rembrandt gives us St. Jerome in a...

Author: NO WRITER ATTRIBUTED | Title: THE PRINTS IN GORE HALL. | 2/27/1874 | See Source »

Durer gives us a vigorous old man engaged in earnest study. The technical means used are those by which he could best express what he saw. Rembrandt, on the other hand, having the same thing to express, forces us to peer through his artful darkness and lose our time in...

Author: NO WRITER ATTRIBUTED | Title: THE PRINTS IN GORE HALL. | 2/27/1874 | See Source »

Having found some fault with Rembrandt, no fuller reparation can be made than by turning our attention to the world-renowned Hundred Guilder piece. Here Rembrandt makes himself immortal, and uses his chiaro-oscuro in a most effective manner. Professor Lubke has called Rembrandt, as compared with Vandyck or Rubens...

Author: NO WRITER ATTRIBUTED | Title: THE PRINTS IN GORE HALL. | 2/27/1874 | See Source »