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...last week after the first-act curtain of Die Walküre. The singer was Soprano Lotte Lehmann, a tall, stately German making her Metropolitan debut with a name already important in Europe and Chicago (TIME, Nov. 10, 1930 et seq.). Last week she was nervous. Her husband. Herr Otto Krause who left his insurance business in Vienna to hear the performance, knew it. The battered old doll which she kisses for luck each time she goes on stage trembled in her hands. But the audience saw no signs of uncertainty, no lack of confidence. They saw a Sieglinde...

Author: /time Magazine | Title: Music: Debut and Gallstones | 1/22/1934 | See Source »

...lots and sold, after a block bid of $20,000 by Mrs. Hubbard had been refused, to dozens of different owners for a total of $57,565. Unnoticed by most in the room was a plump little man who kept nervously wiping his forehead and gazing first at Auctioneer Otto Bernet, then at Mrs. Hubbard as she bid $100 at a crack with the raise of a pencil. It was Escort Edwin Krenn. "All this is breaking my heart," declared this beneficiary under the McCormick will, with a wave of his hand. "It cuts into me, you know, it cuts...

Author: /time Magazine | Title: Art: First & Last | 1/15/1934 | See Source »

...Carnini family for a U. S. client, turns homeward, followed by Count Mario Carnini (Tullio Carminati). In a Paris hotel she accidentally stumbles on her son Deedy (Dickie Moore), decides that she wants him back. She gets a job redecorating the home of his guardian Phillip Lawrence (Otto Kruger), sets out to replace his fiancée (Betty Lawford), who slinks through the story sneering at one & all. Innocently she eggs her son into spilling a bucket of fresh fish over the fiancée's dress, finally trades Count Mario for her son's guardian. Good sequence...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 15, 1934 | 1/15/1934 | See Source »

...their battle has influenced the betting odds on the genuine encounter. Be that as it may, the fight remains a smashing one, a fine climax to the production. Myrna, of course, is much in evidence; Walter Huston, as Maxie's manager, does a solid bit of work, and Otto Kruger, as Myrna's one-time gangster lover, is much more convincing than any Hollywood gangster has a right to be. The surprise of the thing, however, comes with the realization that Max Baer is not totally devoid of acting ability; even though a Vanity Fair author once characterized...

Author: By S. H. W., | Title: CRIMSON PLAYGOER | 1/15/1934 | See Source »

...Morgan with an investigation of Tammany enlivens the book. Similar characteristics are observed in the following pairs; J. P. Morgan and John F. Curry (simple honest belief in the "system"), George W. Whitney and James J. Walker (plausibility and simple thought), Thomas W. Lamont and John W. Delaney (astuteness), Otto H. Kahn and John H. McGooey (affable admission of error...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Bookshelf | 1/12/1934 | See Source »

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