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...Danish Newspaperman Henrik Bonde-Henriksen was too well known to draw the special attention of the Communist police. Seated beside him as he drove through one evening last week was a man puffing furiously at a pipe, his hat pulled down over his eyes. The guard waved them on. Otto John, onetime head of West Germany's counter-espionage organization, was on his way back to the West...

Author: /time Magazine | Title: WEST GERMANY: The Returncoat | 12/26/1955 | See Source »

...Sitting as an appeals board in New York, presidents of the major movie companies upheld the Hollywood Production Code Administration and refused to give United Artists a code seal for Otto Preminger's The Man with the Golden Arm because the movie deals with the taboo subject of dope addiction. U.A. promptly quit the Motion Picture Association of America, which administers the code, went ahead with plans to release the movie, starring Frank Sinatra, in Manhattan this week, had high hopes that, like Preminger's The Moon Is Blue, also released without a code seal, it will make...

Author: /time Magazine | Title: Cinema: Newsreel, Dec. 19, 1955 | 12/19/1955 | See Source »

...project to raise money for the German students' fund was suggested by Otto J. Bachmann, released from a Russian forced labor camp last year. Himself a beneficiary of the fund, Bachmann is studying at the College this year on the James B. Conant Scholarship, awarded annually to a German student...

Author: NO WRITER ATTRIBUTED | Title: Council to Show Communist Films | 12/14/1955 | See Source »

...After viewing a rough cut of Otto Preminger's The Man with the Golden Arm, United Artists decided to release the picture whether it receives Production Code approval or not. The story from the Nelson Algren novel deals with a young Chicago gambler (Frank Sinatra) who becomes a drug addict; thus it conflicts with the code's anti-narcotics clause. U.A. may have been influenced by the fact that Preminger's The Moon Is Blue, which it released without a code seal, made a killing at the box office. ¶The box-office success of Universal...

Author: /time Magazine | Title: Cinema: Newsreel, Nov. 21, 1955 | 11/21/1955 | See Source »

Diva Schwarzkopf was handsomely supported in Rosenkavalier by New York City Opera's Contralto Frances Bible and German Bass Baritone Otto Edelmann, in Don Giovanni by Metropolitan Opera Basso Cesare Siepi and Soprano Licia Albanese and the Rochester (N.Y.) Philharmonic's Conductor Erich Leinsdorf in both. Standout: Leo Kerz's imaginative, fluid settings projected behind fixed arches onto a backdrop screen. Ahead for the enterprising San Francisco Opera this season: the U.S. premiere of Sir William Walton's Troilus and Cressida (TIME, Dec. 13), and a revival of Rimsky-Korsakov...

Author: /time Magazine | Title: Music: Debut in San Francisco | 10/10/1955 | See Source »

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