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By the late '90s, Coppola says, "I just wanted to find a place for myself. I didn't want to be a director who was hired: 'Here's a script, we've got Robin Williams.'" After he lost a lengthy rights battle with Warner Bros. over a Pinocchio project, Coppola...

Author: /time Magazine | Title: Coppola, Take 2 | 11/7/2007 | See Source »

The film got its first airing at the Rome Film Festival, where the reaction suggested that Coppola is going to have a tough time making young men's pictures again. Rookie directors can experiment quietly; every movie Coppola makes is an international event. "I'm not supposed to call this...

Author: /time Magazine | Title: Coppola, Take 2 | 11/7/2007 | See Source »

Put another way, the networks and studios are making the depressing bet that "quality" - i.e., original scripts - doesn't matter that much to the market. But who's to say they're wrong? Media consumers are deluged with diversions, many of them free. Even the New York Times couldn't...

Author: /time Magazine | Title: Will the Writers' Strike Solve Anything? | 11/7/2007 | See Source »

Réunion Des Musées Nationaux French museums club together and peddle products from this online shop. The replica jewelry looks startlingly modern, like the Lydian pierced-disk pendant ($58-$330, various sizes and materials) - based...

Author: /time Magazine | Title: Something Like the Real Thing | 11/7/2007 | See Source »

“This community has sustained me throughout much of my life,” Gross said. CORRECTION: The Nov. 7 news article "Profs Discuss Jewish Identity" incorrectly referred to economics professor Stephen A. Marglin as Margolin in some instances. The original version of this article has been changed...

Author: By Courtney A. Fiske, CONTRIBUTING WRITER | Title: Profs Discuss Jewish Identity | 11/7/2007 | See Source »

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