Word: organized
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Dates: during 1980-1989
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...which is to say that Blue Velvet is in no sense a realistic film. It is not modernist camp either. Lynch believes every bit as much in the redemptive power of teen love -- with families miraculously restored and two kids kissing to the crooning of a wedding-chapel organ -- as he does in the force of evil. He and his film will surely be reviled, but as an experiment in expanding cinema's dramatic and technical vocabulary, Blue Velvet demands respect...
Everyone calls Marguerite Hanusa "Marge," and everyone who is anyone in the high plains Montana town of Choteau comes to Marge's adult piano and organ recital every year about this time. She holds it in the parlor of her house, where she has a Story & Clark upright, a Steinway baby grand and a two-tiered Conn with a full footboard. The first townspeople to show up get to sit on folding chairs from the Methodist and Lutheran churches; the tardy in the audience must make do with the staircase and the floor. After the music the party moves into...
...keys, get up and walk out." This time there would be no such embarrassments. Marsha and Charlie Hinch -- "They have the Foothills' men's store," Marge said -- dropped by early on the Saturday of recital to brush up. Charlie, a beginner, was to play The Oak Grove on the organ. Marsha upbraided him for not bringing his music. "I've played the son of a bitch 500 times," Charlie said. "I don't need the music." (People in Montana talk earthy, even Marge. One day Charlie was rehearsing, and, as she tells it, "he had his left hand working well...
...last, but when he came to Brahm's Lullaby, he froze. "Marge!" he begged, and she appeared from the kitchen and placed his hands. "You've got it now," she said. "You sure?" he asked, and then played it fine. Albert Tesch, the town plumber, came in on the organ next and offered a sweet Carolina Moon and If I Loved You. Then in the course of an hour and a quarter they all returned in various combinations and played other tunes. The audience was effusive with its applause...
...Busch-Reisinger, founded in 1903 and later supported by prominent benefactors including Aldophus Busch of Anheuser-Busch, Inc. and his son-in-law, Hugo Reisinger, is considered the foremost museum of German art on this continent. The Gothic building, which boost a Flentrop organ and original arches, houses works by Walter Gropius and Lyonel Feininger as well as Renaissance and Medieval...