Word: orchestra
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Dates: during 1950-1959
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...AFTERNOON CONCERT. Schonberg, Variations for Orchestra; Rust, Viola sonata; Moussorgsky, Sorochintsy Fair; Gabrieli, Canzone; Potter, Variations on a popular tune; Mendelssohn, Piano trio...
...Orchestra of America, founded two years ago to perform nothing but American music, presented the world premiere of Robert Kurka's Concerto for Marimba. Composer Kurka, Chicago-born son of Czech parents, went to work on his 22-minute concerto in 1956 at the suggestion of Marimbist Vida Chenoweth. completed the piece a year before his death of leukemia in 1957 at 35. Last week's performance, conducted by Richard Korn, featured Marimbist Chenoweth as soloist. A small woman (5 ft. 2 in.), she seemed dwarfed by her instrument-a 6-ft. tablelike frame supporting a graduated series...
...previous stops-Washington,. San Francisco, Los Angeles, Louisville, Philadelphia, New York -the Russians were strenuously entertained in Boston. As usual, they gave no individual interviews, uttered polite platitudes about music. What distinguished the Boston visit was the obvious affection the visitors had for the Boston Symphony, the first U.S. orchestra to tour Russia (in 1956), and for its Russian-born or Russian-speaking musicians. During rehearsals, the Russians filed into the side balcony of Symphony Hall, leaned intently over the railing, and watched Conductor Charles Munch. Kabalevsky and Composer Aaron Copland (who rehearsed his own suite from The Tender Land...
Kabalevsky's somberly flowing Concerto for Cello and Orchestra proved such a hit that the composer-conductor finally signaled to Soloist Mayes. repeated the second movement, a rare procedure in staid old Symphony Hall. Khrennikov's First Symphony proved to be a broadly melodic crowd-rouser, and Amirov's Kyurdi-Ovshari Mugami was so heavily coated with schmalzy melody that one listener cracked: "The triumph of the proletariat on Bald Mountain." Nevertheless, the audience shouted its approval, while the Russians, standing on the stage, applauded the spectators in return. "For Symphony Hall," said the radio announcer...
...mean them.... Here is a playright who is not afraid of beautiful literate language, and none too soon. He has rejuvenated the anemic field of Poetic Drama Since Shakespeare. J.B.'s quality of language and quality of thought make it one of the few plays worth paying Broadway's orchestra-seat ransoms to see.... a masterpiece ... one of the most distinguished dramatic triumphs of the modern theatre ... the New York theatre crowd was jolted out of its sophistication. Milling at the intermission, filing through doors, Manhattan secretaries with their tweedy, nebulous fiances, asthmatic maiden aunts from New York, students...