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Word: oratorio (lookup in dictionary) (lookup stats)
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...stresses the vague outlines of the phrases. Instead of using an acoustically perfect hall, he makes the recordings in the Busch-Reisinger Museum, whose stone walls most nearly duplicate the resonance of Renaisance churches. But these are not more pedantic touches. While there is very little in a Handel oratorio that requires an eighteenth century type performance, the ethereal, evasive quality of earlier religious music is completely lost if subjected to modernization...

Author: By Lawrence R. Casler, | Title: Glee Club Recordings | 2/4/1953 | See Source »

Prokofiev: Oratorio, Op. 124 (Choirs and State Orchestra of the U.S.S.R. conducted by Samuel Samossoud; Vanguard). Prokofiev's latest (1950) composition to reach U.S. shores. The message is the expected and politic one of the clear skies and a bright future, but there is plenty of drama in the ten movements, provided by scenes from World War II (climax: Stalingrad) and a warmhearted, slightly Wagneresque lullaby...

Author: /time Magazine | Title: Music: New Records, Feb. 2, 1953 | 2/2/1953 | See Source »

...first time since he was elevated nearly 14 years ago, Pope Pius XII left his Vatican palace to attend a concert half a mile away. The event: an oratorio and other sacred works composed and conducted by Lorenzo Perosi, director of the Pope's music, who recently celebrated his 80th birthday...

Author: /time Magazine | Title: People, Jan. 5, 1953 | 1/5/1953 | See Source »

...Christmas season is officially here. Its usual harbinger, Handel's Messiah, received last night the kind of performance it always deserves. The Harvard Glee Club, Radcliffe Choral Society, and Harvard-Radcliffe Orchestra, all conducted by G. Wallace Woodworth, played the Christmas section of the oratorio with freshness and reverence...

Author: By Lawerence R. Casler, | Title: The Christmas Concert | 12/5/1952 | See Source »

...Handel's Opus 8 we heard concerto No. 3, with its remarkable Andante jugato. In addition. Mr. Bodky introduced a little known work, "Concerto interpolated into the Oratorio Alexander's Feast." The theme of its first movement bears a close resemblance to the "Hallelujah" theme of the Messiah. Especially noteworthy is the concerto's delicate and subdued final movement. It brought the evening to a quiet close but, needless to say, in no way restrained the enthusiastic applause which followed...

Author: By Alex Gelley, | Title: Cambridge Society for Early Music | 12/4/1952 | See Source »

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