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...volumes of his monumental A Study of History a bestseller, and Toynbee's name tinkled among the Martini glasses of Brooklyn as well as of Bloomsbury. Now, Historian Toynbee gives his public a peek at what is yet to come in Volumes VII through X of his magnum opus, due for publication next year. The World and the West, a collection of six lectures delivered last year on the BBC, is always readable, if often disconcertingly brief in its arguments...

Author: /time Magazine | Title: Books: One Long View | 4/20/1953 | See Source »

...York City Opera swung into its spring season last week with a double bill devoted to the psychological and the tactical aspects of love. Bela Bartok's Bluebeard's Castle, a moody, Freudian opus (TIME, Oct. 13), came first. Then in a more frolicsome vein, came Ravel's L'Heure Espagnole, and its story of light-hearted Spanish intrigue. Apart from the tact that both operas were done thoroughly to the first-nighters' taste, the chief interest centered on the second conductor of the evening. After Company Director Joseph Rosenstock had conducted Bluebeard, he turned...

Author: /time Magazine | Title: Music: Kalamazoo Boy | 3/30/1953 | See Source »

...doing graduate work in the Harvard music department, warmed up with the Preclude from Bach's Fourth English Suite-a routine piece, mechanically played. After a pleasant set of Variations by Buxtehude, Davison Joined with violinist Paul Revitt to play Schubert's Duo Sonata, (op.162). Despite the high opus number, it is a product of Schubert's youth, full of happy tunes and harmonic surprises. But Revitt's thievish tone and generally erratic technique made thorough enjoyment of the price difficult. Three Brahms Intermezzi followed, all of them receiving broad, well-molded performances...

Author: By Lawrence R. Casler, | Title: John Davison | 3/18/1953 | See Source »

...Handel's Opus 8 we heard concerto No. 3, with its remarkable Andante jugato. In addition. Mr. Bodky introduced a little known work, "Concerto interpolated into the Oratorio Alexander's Feast." The theme of its first movement bears a close resemblance to the "Hallelujah" theme of the Messiah. Especially noteworthy is the concerto's delicate and subdued final movement. It brought the evening to a quiet close but, needless to say, in no way restrained the enthusiastic applause which followed...

Author: By Alex Gelley, | Title: Cambridge Society for Early Music | 12/4/1952 | See Source »

...fast nosing out Zane Grey as king of the Cowboys. This latest mesquite and tumbleweed opus offers little to be criticized--maybe because it offers little, period...

Author: By Malcolm D. Rivkin, | Title: Guns Ablaze In Texas | 11/14/1952 | See Source »

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