Word: operas
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...ladies and opera go together, but rarely has so much weight been thrown around onstage as in Jerry Springer--The Opera. The musical version of the sleazoid TV talk show is filled with big people with big hair wailing about their big problems. A portly fellow with a luminous tenor confesses that he is cheating on his wife with a transsexual. A bridegroom-to-be strips off his clothes to reveal a diaper fetish. A sluttish young woman battles with her mother over her aspiration to become a pole dancer. Running commentary is provided by a studio audience...
...musicals that have burst onto the London stage in preparation for taking over the world, Jerry Springer--The Opera may be the oddest. The show, with faux-operatic music and raunchy lyrics by Richard Thomas and Stewart Lee, has been a sellout hit at the National Theatre since April and will transfer to the West End in October. Negotiations are under way for a Broadway production, which could arrive as early as next spring. A movie deal is already cooking. Co-producer Jon Thoday predicts that within three years there "should be 15 productions playing around the world...
WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN. Pedro Almodovar directs this comedy filled with all your favorite soap-opera twists. Pepa, who realizes that her lover Ivan is leaving her, goes on a gun rampage and drugs Ivan’s son’s fiancee with Valium-laced gazpacho. The plot complicates when her friend Candela falls in love with a Shiite terrorist and hides out at Pepa’s home. Then she meets Ivan’s son, Carlos (Antonio Banderas). The 1988 Spanish comedy, filmed in Madrid, is irresistible. Women on the Verge...
...HAND: OPERAS COMPOSED BY WOMEN, 1625-1939. This exhibit focuses on the contributions of women through the development of opera. It follows the origins of Italian opera in the courts of Versailles in the 17th century to public opera in post-revolutionary Paris and beyond. For music lovers and history buffs alike. Through Dec. 1, 2003. Loeb Music Library, Music Building...
...OR’: NATALIA GONCHAROVA’S DESIGNS FOR THE BALLETS RUSSES. Inciter of the Moscow pre-World War I art scene, Natalie Goncharova designed stage sets and costumes for the Ballet Russes production of Le coq d’or, an opera-ballet premiered in Paris and London in 1914. This exhibit brings together Goncharova’s stage and costume designs, curtain studies, and preparatory drawings from the Harvard Theater Collection; the Marion Koogler McNay Art Museum, San Antonio; and the Museum of Modern Art, New York. Through August 24. Hours: Monday through Saturday...