Word: opera
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...HAND: OPERAS COMPOSED BY WOMEN, 1625-1939. This exhibit focuses on the contributions of women through the development of opera. It follows the origins of Italian opera in the courts of Versailles in the 17th century to public opera in post-revolutionary Paris and beyond. For music lovers and history buffs alike. Through Dec. 1, 2003. Loeb Music Library, Music Building...
...OR’: NATALIA GONCHAROVA’S DESIGNS FOR THE BALLETS RUSSES. Inciter of the Moscow pre-World War I art scene, Natalie Goncharova designed stage sets and costumes for the Ballet Russes production of Le coq d’or, an opera-ballet premiered in Paris and London in 1914. This exhibit brings together Goncharova’s stage and costume designs, curtain studies, and preparatory drawings from the Harvard Theater Collection; the Marion Koogler McNay Art Museum, San Antonio; and the Museum of Modern Art, New York. Through August 24. Hours: Monday through Saturday...
...immigration in a rudderless boat, bearing the Holy Grail, his chalice at the Last Supper into which his blood later fell. Several French kings promoted the legend that descendants of Magdalene's child founded the Merovingian line of European royalty, a story revived by Richard Wagner in his opera Parsifal and again in connection with Diana, Princess of Wales, who reportedly had some Merovingian blood. (The Wachowski brothers, those cultural magpies, named a villain in The Matrix Reloaded Merovingian, filming him surrounded by Grail-like chalices. His wife in that film was played by Italian actress Monica Bellucci, who will...
...cats at least brought a little glamour to their garbage pile. The America on display in the Jerry Springer opera is a place where white-trash yahoos willingly air their tawdriest laundry in public for a few minutes of TV fame. The show is just one example of a wave of new stage works overseas that put the U.S. in a distinctly unflattering light. In Paris a "savagely satirical impromptu" called George W. Bush or God's Sad Cowboy has been drawing crowds since reopening in late Mayafter closing for two weeks when its writer-director, Attilio Maggiulli, was beaten...
...surprising that London's hottest musical is a send-up of America's looniest talk show. Of course, its creators clearly love their trash TV, even as they skewer it. The opera skillfully parodies the TV show's demented-circus atmosphere, and star Michael Brandon does a bang-on impression of Springer's smarmy solicitousness ("Chuckie, I sense you're not too happy about Shawntelle's pole-dancing dreams"). Even the backstage scenes ring true, with Springer trotting out knee-jerk defenses to his critics: "I don't do conflict resolution." At times the musical even makes you care...