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...weakness of their decency for our amusement and discomfort. What, then, could be more delicious for Baron Cohen than spying on the members of the Motion Picture Association of America (MPAA) ratings board - the de facto censorship committee of Hollywood movies - as they recoiled from the backdoor action onscreen and then had to consider saying no to one of the most eagerly anticipated films of the summer? Or, even worse, consider saying yes? Whether or not Baron Cohen had planned to put the scene in the final film, he could have jumped out at the end of the screening shouting...

Author: /time Magazine | Title: Sacha Baron Cohen and the Censors: Will Brüno Be NC-17? | 3/31/2009 | See Source »

...drug-prescribing - had been implemented in just 17%. Physicians' notes - which can be confusing at best and flat-out illegible at worst - had gone digital in just 12%. The only bright spot in the findings was computerized results-viewing, which allows doctors and nurses to call up lab results onscreen instead of having to wait for them to be delivered by hand; that time-saving upgrade had been implemented by more than 75% of the hospitals surveyed...

Author: /time Magazine | Title: Electronic Health Records: What's Taking So Long? | 3/25/2009 | See Source »

...with supposedly employed slacker Sydney Fife (Jason Segel). Rudd and Segel have worked together on two Judd Apatow films already—“Forgetting Sarah Marshall” and “Knocked Up”—and the strong chemistry between them is evident onscreen. In fact, it’s easy to mistake “I Love You, Man” for an Apatow film. The typically comical, awkward conversations and crude humor are provided by a quirky cast including Andy Samberg as the voice of reason to his clueless older brother...

Author: By Roxanne J. Fequiere, CONTRIBUTING WRITER | Title: I Love You, Man | 3/20/2009 | See Source »

...developed an informal set of rules for themselves: Take the craft seriously (Dench: "deadly"). Don't take yourself seriously (Stewart: "That's death to creativity"). Never think you know it all (Dench: "Absolutely fatal"). And if the part was good and you were mindful that anything you did onscreen came from what you learned on stage, then by all means take a role on television or in film...

Author: /time Magazine | Title: Ian McKellen: The Player | 3/19/2009 | See Source »

Motherhood, by the way, looks good on her. Onscreen, she's lush and full: any woman who has breast-fed will recognize the source of her Duplicity cleavage. Her Claire makes Owen's Ray even more swoon-worthy; we know he appreciates a real woman. If you're nostalgic for the pretty woman in pink-and-black spandex, too bad. Roberts isn't shoehorning herself back into a prostitute's work outfit. She's too sensible to even try. All the more reason to hope she's still a trendsetter...

Author: /time Magazine | Title: Is Julia Roberts Still Queen of the Box Office? | 3/19/2009 | See Source »

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