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...times a year to tape the introductions. The programs imported for Masterpiece Theatre run in Britain with no introduction; the notion of a host is American. "We like to be told what's coming," says Baker. "It reassures us." An advance look at his first efforts reveals that the onscreen Baker is indeed reassuring -- an intelligent, amiable presence, with a healthy respect for the camera. "You have to do your damnedest to be yourself," he says. "It's hard, like having your picture taken...

Author: /time Magazine | Title: A New Man in the Armchair | 10/4/1993 | See Source »

Hollywood did not need a Body by Jake workout to get its movies into PG shape; it required no Marianne Williamson exhortation to spur it to reunite the nuclear family onscreen. The industry simply looked at the numbers. Family movies can be made cheaply and can reap deeply. "In addition to selling the ticket to the young child," says producer Scott Rudin (The Addams Family, Sister Act, Searching for Bobby Fischer), "you also sell tickets to five of his friends and three of their parents. For the same marketing dollar, the quantity of purchase is much higher. And kids...

Author: /time Magazine | Title: Hollywood's Summer: Just Kidding | 6/28/1993 | See Source »

Well, it worked, this story of a cute blond boy (Macaulay Culkin, the onscreen key to Home Alone's popularity), abandoned by his parents, who triumphantly foils a housebreaking criminal and wins the love of the crusty codger who lives next door. (It worked so well that Hughes Xeroxed the plot for Dennis the Menace.) It worked, Hughes believes, because "successful movies tend to reflect the opposite of American life. The more ugly and violent the streets become, the more people want to escape that reality...

Author: /time Magazine | Title: Hollywood's Summer: Just Kidding | 6/28/1993 | See Source »

...this measure, complexity works, at least roughly. Computer simulations of ( life, the best-known application of the theory, create onscreen worlds of cyber-creatures that evolve in ways that eerily parallel real life. Biophysicist Stuart Kauffman of the Santa Fe Institute says confidently, "Biological evolution proceeds at the boundary between order and chaos. If there is too much order, the system becomes frozen and cannot change. But if there is too much chaos, the system retains no memory of what went on before...

Author: /time Magazine | Title: The New Field of Complexity | 2/22/1993 | See Source »

...Manhattan brownstone. Golightly peeks out from behind her door one morning to find that she has a new downstairs neighbor. Even wearing a wrinkled tuxedo shirt, a pastel blue sleeping mask pushed up on her forehead and purple-tassled earplugs in her ears, Hepburn conjures an almost unearthly elegance onscreen...

Author: By Sarah C. Dry, | Title: A Delicious 'Breakfast' | 2/11/1993 | See Source »

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