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Nevertheless, Frodon didn’t ignore the tough questions. In fact, he raised one himself, putting simply the question of American awareness of the Holocaust while it was taking place: “Who knew what...
...this, he answered, there is no easy response. He described one often-lamented instance of an American spy plane taking photographs of Auschwitz early in the war. Those photos, taken in hopes of locating factories rather than atrocities, went unnoticed. The line between knowledge and ignorance, then, was remarkably thin...
What is clear is that the eventual realization of this atrocity brought with it an immediate cinematic response, an artistic outpouring that continues to this day. The relationship between film and the Holocaust, Frodon believes, is one that continues to evolve and deserves further investigation...
...images for such HRDC productions as “The Hyacinth Macaw,” “The Birthday Party,” “Cabaret,” “Metamorphoses,” and “Twelve Angry Men,” is one of many student graphic designers whose work can be found brightening Harvard’s campus at any given time. Yet despite the presence of many graphic designers, the university is almost entirely lacking in formal academic resources for students interested in developing these skills. Instead, students independently seek opportunities...
Musing on this lack of formal curricular opportunities for graphic designers, Computer Science concentrator Kane Hsieh ’12 said, “I wish departments would offer not classes, but rather, mini-seminars throughout the year, so that students can learn the skills without using up one of their few electives. Right now, I’m probably pretty inefficient when creating images, since I’m just using what I already know.” Christina Q. Guo ’13 echoes this sentiment, saying, “I’ve never heard about...