Word: olde
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...perfect: “8:30 P.M. Millat just walked in. He’s sooo gorgeous but ultimately irritating! Tight jeans as usual. Doesn’t look at me (as usual, except in a FRIENDLY way).” Once the new generation, Irie and Millat, becomes old enough for their own narratives, the focus on character voice wavers. But their struggles to assimilate are no less universal than their parents?...
Smith ties up the characters’ story arcs into a neat little bundle at the end of the book. She contrives to unite the old and young in one room. Every main character attends the launch of a genetically engineered mouse with something to prove, whether in protestation or celebration. By putting them together to duke it out, Smith purposefully offers a chance for redemption and closure unavailable in real life. This conclusion is an unsatisfying end, but the point of the book is not the plot. Her rich, realistic portrayal of the characters and their view of London...
...seen by the outside world. It reveals the society’s flaws, poking fun at everybody but condemning nobody. Zadie Smith shows the confusion of trying to understand the present in the context of a past that never existed; “The funny thing about getting old in a country is people always want to hear that from you,” Archie muses. “They want to hear it really was once a green and pleasant land. They need...
...find this person? As David Brooks and the FMLers might argue, the system we have going doesn’t seem to be doing an optimal job, and it’s certainly running up our texting bills. Out of this frustration emerges the hook up culture, where that old saying about cows and milk has been altered past recognition. “Why marry the cow if you can get the milk for free?” our parents asked. “We know we’re not marrying the cow,” our generation replies...
...dimension of meaning is placed upon each poem; the muse behind the words is unveiled. The women separately represent something to Edgar, a trait of character or quality of life that he never had. Amongst many impressive performances, Joelle Kross as Virginia, Poe’s 13-year old bride and first cousin, is particularly adept at imbuing her character with youth and innocence. Likewise, Shawna O’Brien plays Poe’s mother, who dies while her son is still an infant. O’Brien subsequently stalks the stage as a ghost, becoming the authority figure...