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...slangy “Gliglish” and meet in the self-proclaimed “cemetery of language.” Oliveira’s lover La Maga enters like a light breeze: her intuitive connections to the things around her serve as a foil for the often laughably cerebral shoptalk of the others. “She picked up a leaf from the edge of the sidewalk and spoke to it for a while, moved it along the palm of her hand, put it rightside up and upside down, stroked it, and finally she took off the leafy...
...shelf, each is potentially hindered by the other’s presence. Copley’s acting and the combined CGI innovation of Image Engine and producer Peter Jackson’s Weta Workshop foster an unbelievable amount of sympathy for the strange insectoid aliens, but this achievement is often clouded by Blomkamp’s willingness to use his creations as gory decoration. Similarly, those who see “District 9” for the violent, hedonistic ride will occasionally be put off by how heavy the plot can get as Blomkamp expounds on the limits and contradictions...
...Kenner’s documentary “Food, Inc.” revealed the horrors of large-scale agricultural food production in the U.S.; and Michelle Obama planted a vegetable garden at the White House. In “Julie & Julia,” however, the guilt that often accompanies eating is left by the wayside. The main characters aren’t locavores, flexitarians, pescetarians, or ovo-lacto-vegetarians. Instead, director Nora Ephron presents cooking and food as enjoyable—inducing pleasure rather than peccability. The film chronicles two women’s journeys of self-discovery...
Harvard kids have sex. Sometimes they do drugs. But it’s not often that they rock ‘n’ roll. Last Wednesday at Harvard Rocks NYC, five bands featuring Harvard alumni took to the stage in the first off-campus music festival to bring Crimson rockers together. Ashley V. Furst ’03, the lead singer of the Ashley 1st Band and creator of the event, set out to create exposure for the artists while proving that Harvard is, in fact, a rich source of rock musicians. Having been recently turned away from other...
...incredible diversity of beauty found across the continents. While the exhibition might be poorly named, it still has much to offer. Rather than becoming an argument over photographic methods, “From Film to Digital” examines a deeper topic and gives dignity to people that are often forgotten or objectified. The prints might not be the most novel, but they are certainly well captured and visually appealing. Positioned in an easily accessible space that many pass daily, the prints are worth a small detour, if only to provide a moment of reflection on the diversity...