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...Marshall, Jesse Tobias, Dave Navarro, and John Frusciante. Ok, I'm cheating, but it's still a fact that Frusciante has been the Chili Peppers' guitarist on two separate occasions; following founding member Slovak's death from 1988 to 1992, and once again from 1998 up to the present. Oft considered the finest of the Peppers' guitar players (or at least the best suited to the band's style), Frusciante brought an oblique, jazzy angle to funk in the same way Andy Summers reinterpreted reggae for The Police...
...blood takes the form of the smooth-voiced and sardonic Cosmo Disney (Thomas H. Price ’02), who works as one half of a two-man freak show. Decked out in a black tuxedo, ordinary save for a flamboyant red coat, Disney proceeds to intimidate the portly, oft-timid Presley in a lengthy, riveting sequence of interplay. Price, for a good while, is sublime, manipulating Presley’s feeble mind with fine skill, shifting between master and mollifier as he holds forth on his personal philosophies. Johnson, his shoulders submissively hunched forward and his voice high...
...first round of the draft is always the most awaited and intense, but never the most important. It's the fifth and sixth rounds that separate the men from the boys. Who will come away with the steal? Who will choose the oft-injured player with mammoth potential? Who will pick the sleeper? Who will select the bust...
...wasn't an overnight success. At 18, Orville Richard Burrell (his oft untamed mane earned him the nickname Shaggy) left Kingston, Jamaica, for Brooklyn, N.Y., to launch a singing career. When he couldn't make ends meet, he joined the Marines. A year later, he found himself in Iraq with an artillery battery weaving through minefields. "It was wild--the atmosphere was kind of like Three Kings," he says, referring to the 1999 movie. During the long stretches of downtime, he started writing songs and, when he was discharged two years later, decided to make another run at recording...
...wise to turn this one down. It's got that fast-walking rhythm so often used by the Man in Black, and presages by many years his hits about Folsom and San Quentin prisons. (Of course, I'll always forgive Cash for such lapses because of his oft-quoted quote about Jones, with whom he spent many a misspent mile on the road in their early careers: "Who's your favorite singer?" Cash is asked. "You mean," he responds, "apart from George Jones...