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...very odd. The only thing I've been working toward was doing a TV show. Random House saw a little two-page "X-Presidents" thing in George magazine last year. They asked me to write a book, and I already had a screenplay - Adam McKay and I had written a screenplay for "X-Presidents" a couple of years ago. People had asked me to do something with Ace and Gary and I just thought that would be a lot of heartache. I didn't know how to write it. Those guys are deliberately one-dimensional. The four ex-presidents...

Author: /time Magazine | Title: 'I Was the Class Comedy Bully' | 11/24/2000 | See Source »

...Barnum's Kaleidoscape is Ringling Bros.' first show to play under a tent in since 1956. Since then the big-time circus has been almost exclusively a creature of large multipurpose arenas, showing up at odd moments between ice hockey and tractor pulls. But the circus belongs in a tent, under the big top; better still, this one takes place in a single ring, which as far as I am concerned is the way the circus was meant to be seen. Sure, there is something to be said for the pure spectacle of the three-ring circus, but I always...

Author: /time Magazine | Title: Fears of a Clown | 11/24/2000 | See Source »

...issue wasn't our defense, which is odd, because it usually is," Prasse-Freeman said...

Author: By Elijah M. Alper, CRIMSON STAFF WRITER | Title: Holy Cross Trips Up M. Hoops, 60-55 | 11/22/2000 | See Source »

Democracy is an odd and perverse little duck; it insists that you exercise your civic identity so that you can enjoy your individual identity. And that's what we do most of the time. There are occasions, such as wars, depressions, Lucky Lindy heroics, the deaths of great figures that beckon us back to the unified entity. Generally, though, we are the United States of Solitude--private celebrators of Emerson's self-reliance who, like the melancholy lady, vant to be alone...

Author: /time Magazine | Title: Election 2000: For Moments Like This, I Love This Country | 11/20/2000 | See Source »

Without Seuss's guiding hand on the live-action Grinch movie, producer Brian Grazer and makeup artist Rick Baker argued whether the citizens of Who-ville should look odd (Baker's choice) or cute (Grazer's), and debate raged over what shade of green the Grinch should be. Because Seuss's own illustrations in his book were too austere for a splashy holiday movie (his Whos lived in thatched huts), production designer Michael Corenblith had to comb through the entire Seuss canon to find recurring shapes and motifs on which to base the film's swirling, elaborate sets...

Author: /time Magazine | Title: Seuss On The Loose | 11/20/2000 | See Source »

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