Word: objecting
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Dates: during 1970-1970
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There are several problems with this major part of the book-but the main one is simple: Hal isn't much. He isn't much, because there seems no reason for his love for Flo other than the reason that she would be another beautiful object to possess. From Hal's vantage point, we get the impression that what interests him about her are her clothes (They are described in detail every time she appears), her beautiful auburn hair, and the fact that she can't be had. He may love her for other reasons-but they aren't really...
...Introducing the Art Festival's present season will be a demonstration of the objects of Franz Walther, a young German artist recently on display in the "Spaces" exhibition of the Museum of Modern Art. Walther will transform an environment into a functional space, in which he plans to teach participants to employ his instrument-things in a series of exercises designed to inspire creative exploration of their inner thoughts. He hesitates to call his pieces "art," referring to each one, instead, as an object-instrument-topic-piece-work-thing-plant-unit-concept...
Artist Franz Walther will teach adventurous spectators to use his object instruments in space to further self-exploration, and there remains a possibility that environmentalist James Rosenquist will appear to experiment with the psycho-visual-atmosphere. Poetry and prose will be considered on separate evenings by such widely divergent figures as poet-critic-author-cultural hero Stephen Spender (The Year of the Young Rebels), and that flamboyant sports-caster of CBS television-Heywood Hale Broun. The Arts Festival will also feature piano recitals by Joseph Block and Armenta Adams, and will conclude its final weekend with a Quincy House production...
TIEPOLO emphasized the celestial setting by drawing figures sotto or placing them on a physical level above the view??. "Flying Angels," drawn from an underneath perspective, incorporates the confidence of the baroque artist-the bo?dness in line, a shift of the object off center, movement the feeling of depth as the angel recedes into the sky. Many of these drawings with unusual perspectives were sketches for his famed ceilings. In such a series of sketches for the Palazzo Trento (=72-?6). Tiepolo communicates the vitality and spontaneity attributed...
...granite knees and settled herself between them, put her feet up over and around his heavy hips. She lifted carefully carefully his heavy paws, one and then the other, onto her knees. Her hands over his. Waited. Looked deep into him, his big black dises. And he did not object. The hassle and the quaking were going to pass now and all her knowledge and strength pass beautifully into...