Word: nypd
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...Moonlighting. He did it in three Die Hards, Pulp Fiction, Sin City and somehow in that movie where he puts words in a baby's mouth. Can he still make us feel cool in Live Free or Die Hard, the fourth installment of the action series about a normal NYPD cop who always finds himself in the middle of absurdly dangerous terrorist plots? "I'm a gambling man by nature," Willis says of returning to a franchise that started in 1988 and had its last installment 12 years ago. He admits that the second and third Die Hards were...
John is the latest from David Milch (Deadwood, NYPD Blue), working with "surf noir" novelist Kem Nunn. It follows the troubled Yost surfing dynasty: Grandpa Mitch (Bruce Greenwood) is a retired ascetic; son Butchie (Brian Van Holt) is a champ turned junkie; grandson Sean (Greyson Fletcher) wants to surf competitively, over Mitch's objections. They meet John (Austin Nichols), a pompadoured stranger who may be an alien or God (his last name is Monad, a Gnostic reference). Actual, literal miracles begin happening...
...Bratton is usually up to those sorts of challenges because he is a shrewd politician, and, as police chiefs go, a charismatic figure. (Several years ago he was even touted as a New York mayoral candidate, and he ultimately left the NYPD in part because Giuliani thought he was stealing the limelight by taking too much credit for the drop in crime.) He has cultivated good working relationships with many disparate and powerful elements in the city. He tapped longtime LAPD critic and civil rights lawyer Constance Rice to write a report on the Rampart scandal and to oversee compliance...
It’s the classic murder tale: husband discovers wife is cheating, husband murders wife, husband walks away from trial a free man. O.J. Simpson, anyone? Director Gregory Hoblit (“NYPD Blue,” “L.A. Law”) brings his crime and courtroom expertise to the big screen with “Fracture.” Though the movie’s promotional posters (Anthony Hopkins smiling sinisterly under the words “I shot my wife”) may lead audiences to believe that the film will be filled with dramatic...
...getting any more violent, raunchy or sexy than it was a decade ago. We’ve always had violence on TV in different forms, from the sci-fi variety represented in “The X-Files” to the crime in hits like “NYPD Blue.” Crudeness, too, has always sold—“Married With Children” had far more so-called ills than anything we see today...