Word: novelizations
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...technique loosely known as "digital back lot." George Lucas was a pioneer, as was Kerry Conran, the lonely genius responsible for the much praised, little-seen Sky Captain and the World of Tomorrow. In Robert Rodriguez's cult hit Sin City (also based on a Miller graphic novel), practically nothing is real but the people. It's not so much cinema as synema. And it's creeping into more mainstream movies: in Blood Diamond, a tear was digitally added to Jennifer Connelly's flawless cheek, after the fact, to put the exclamation point on a crucial scene...
...Snyder's defense, 300 isn't really a movie about a battle at all. It's a movie about a graphic novel about a movie about a battle. "It's not trying to be reality," Snyder says. "The blood is treated like paint, like paint on a canvas. It's not Saving Private Ryan. It's something else." Maybe that's the only way to make a war movie right now, or at least, the only way to make a war movie that's not an antiwar movie. 300 turns the ugliest human spectacle imaginable into something beautiful...
...quotes in his books, such as historian Benny Morris. A central thesis to his work is that the Holocaust is exaggerated and exploited by American Jews for financial gain and to defend Israel, a view that a New York Times book review in August 2000 described as a "novel variation on the anti-Semitic forgery, ‘The Protocols of the Elders of Zion...
...scarves, a hamlet cut off from the outside world by a forbidding blizzard, the sensuality of the momentary union of lovers’ hands held underneath a table: such are the interwoven motifs in the captivating imagistic web of “Snow,” the most recent novel of 2006 Nobel laureate Orhan Pamuk.Defying genre constraints, “Snow” is, on one hand, a depiction of the contemporary political realities of a country that geographically straddles the border between the East and West—a polity divided between a secularized, cosmopolitan bourgeois...
Hearing Valentino Achak Deng speak at Memorial Church on Monday night would have been an uncanny experience for those who have read Dave Eggers’ latest work. Deng is the protagonist of “What is the What,” a novel that is also a fictionalized, autobiographical account of his experiences as one of the Lost Boys of Sudan. And while Eggers’ name may be on the front of the book, the voice between the covers is unmistakably Deng’s.It is a surprising move for Eggers, a writer who has made...