Word: nothingness
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Dates: during 2000-2009
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Given his focus on communicating ideas and questioning the audience, it is surprising to note that Errol Morris considers his work to be patently anti-vrit. "I have nothing wrong with cinema vrit as a style," he says. "That's fine-handheld cameras, available light... why not? The crazy thing...
Leuchter, who Morris believes is honestly not an anti-Semite, appears confused and frightened by other people's responses to his actions, but he remains confident in that he did the right thing. "There's nothing in the movie that made him change his views in any way," the director...
However, audiences can still look forward to his peculiar brand of interviews, which he describes as "the shut-up-and-listen school." He says of this style, "if you go into an interview with some kind of fixed agenda, than you learn nothing. But an interview where you have no...
Pedersen and Ellison had nothing but praise for their predecessors and for each other.
Anderson's "re-vision" is clear from the film's off-kilter start, recounting the occurrence of several supremely bizarre deaths so coincidentally staged they seem sure to be the stuff of urban legend. And yet, as the unidentified narrator assures, they are absolute fact. "These strange things happen all...