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Those contradictions are embodied by the movie's two principal characters, Michael (Robert De Niro) and Nick (Christopher Walken), steel-mill workers from Clairton, Pa., who go off unquestioningly to fight for their country. In the film's first hour, set at home, Cimino presents his buddies sympathetically as average men with traditional values: their lives are defined by work, family, church and a love of sport. What happens subsequently to Michael and Nick in Viet Nam is a paradigm of what happened...

Author: /time Magazine | Title: Cinema: In Hell Without a Map | 12/18/1978 | See Source »

Cimino, 37, broke into movies as a writer for Clint Eastwood. After directing the promising Thunderbolt and Lightfoot, he spent four years on various scripts before joining forces with De Niro on The Deer Hunter. Here Cimino creates a portrait of the war that beggars logic and is boundless in terror. An early Viet Nam sequence, in which imprisoned Americans are forced to play Russian roulette by their Viet Cong captors, is one of the most gut-wrenching ever. With Peter Zinner's virtuoso editing, an agonizing sound track and Vilmos Zsigmond's fiery cinematography, Cimino creates...

Author: /time Magazine | Title: Cinema: In Hell Without a Map | 12/18/1978 | See Source »

Mean Streets--This is the film that made Martin Scorsese. A rough, startling, excellent glimpse of the lives of a couple of small-time Italian hoods in the Bronx. Robert de Niro sparkles as Johnny Boy, the idiotic, irresponsible galoot who drags his nominally smarter buddy, Harvey Keitel, into some big trouble. This film catches the pulse of The City better than almost any other film of the '70s. A must...

Author: NO WRITER ATTRIBUTED | Title: FILM | 7/28/1978 | See Source »

...Nicholson, has been a star half as long as Beatty has. Few in the film industry make as much money. No one can do so many of the jobs required to create a successful film as he. In the most visible function, acting, Beatty, unlike Travolta or De Niro, began at the top. He has been a sensation ever since he first appeared on the screen, in Splendor in the Grass, 17 years...

Author: /time Magazine | Title: Warren Beatty Strikes Again | 7/3/1978 | See Source »

...life of an artist, says Robert De Niro, is "a very show-bizzy thing. You're up and you're down." The speaker is not the actor but his father, who studied with Hans Hofmann and Josef Albers and "flirted with abstract expressionism briefly in the 1940s." Since then, he has had periodic shows of his loosely drawn portraits and landscapes somewhat reminiscent of Matisse. At a retrospective exhibition of his father's work at Los Angeles' Stuart David Galleries, De Niro Jr. was on hand for the opening. "I like my father's paintings...

Author: /time Magazine | Title: People, Jun. 19, 1978 | 6/19/1978 | See Source »

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