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...Babson match, however, was more difficult than the lop-sided score indicates, for two of the varsity's victories did not come until the nineteenth hole, while a third, Jim Bailey's, was not decided until the twentieth. Bill McAllister and Captain Bob Ornsteen, at one and two, had the delayed wins against Babson, but handled their M.I.T. opponents with more dispatch...

Author: NO WRITER ATTRIBUTED | Title: Crimson Golf Squad Beats Babson, Tech | 5/3/1956 | See Source »

Perry Driggs, at five, defeated his opponent in a close match, while Lou Klein easily beat Dick Tompkins, 4 and 3. Jim Bailey, playing seven, lost on the nineteenth hole...

Author: NO WRITER ATTRIBUTED | Title: Varsity Golfers Beat Weak Wesleyan Team | 4/30/1956 | See Source »

...basis in their theory of "character displacement," it will mean that all existing philosphies will have to be rethought. Everyone knows that science determines the nature of the prevalent world view. In the eighteenth century Newton forced Alexander Pope to write in rhyming couplets, and in the nineteenth century Darwin caused the birth of Robber Barons and the death of Louis Agassiz. Now, once again (almost with the frequency of the Russians) science has changed its party line, leading one to suspect that it favors "struggle" theories in odd centuries and "harmony" theories in even ones. Scientists may enjoy...

Author: NO WRITER ATTRIBUTED | Title: The Age of Apathy | 3/27/1956 | See Source »

...Rebellion Tree stood for open defiance during the nineteenth Century. The spirit it engendered in the undergraduate becomes clear in an excerpt from a poem entitled "The Rebellion," written by a student in memory of the Riot of 1819: "But Oh! the Sophs! their frantic yells Were louder far than lecture bells They form'd a ring about the Tree, And to this solemn oath agree: 'By This Almighty Plant, we swear. 'We will not flinch a single hair 'Until the laws of College rot, 'And government is sent...

Author: By Andrew W. Bingham, | Title: What Happened to the Rebellion Tree? | 3/12/1956 | See Source »

Actually, the name "opera" is a somewhat inaccurate label, since The Mother of Us All is really a musical pageant of America in the nineteenth century. Gertrude Stein did not try to build a drama around the life of the suffragette but presents her fight through a series of conversations with many of the eminent and some of the obscure people of her era. If such a treatment lacks the tension of a plot, it still gave the writer an opportunity to display her talent for humor, and permitted stage director Roger Graef to fill the huge Sanders Theatre platform...

Author: By Stephen Addiss and Thomas K. Schwabacher, S | Title: The Mother of Us All | 3/10/1956 | See Source »

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