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...Italy, this speed was almost unprecedented. But the politicians had been scared by the riots the Communists had staged a fortnight ago to protest the 24 neo-Fascist votes that gave the Tambroni government its majority. The riots had not amounted to much in themselves. But they vividly demonstrated that the Communists had at last latched on to a popular issue after years of political isolation, shocked the squabbling non-Communist parties into amenability. Even his own Christian Democratic Party deserted Tambroni. Explained a spokesman: "This government no longer corresponds to the political situation...

Author: /time Magazine | Title: ITALY: Il Motorino | 8/1/1960 | See Source »

...began when the small neo-Fascist party scheduled a party congress in Genoa. The Communists, who have been chafing under the political ostracism they have suffered of recent years, saw a splendid opportunity to take advantage of the smoldering resentment many Italians felt when Fernando Tambroni accepted the support of the 24 neo-Fascist Deputies to form his government. As the neo-Fascists assembled, a gang of Red-led picketers charged into the Piazza de Ferrari. Genoa's celere (riot police) were waiting for them. They circled around the rioters in jeeps like Indians around a wagon train, clipping...

Author: /time Magazine | Title: ITALY: Riot Politics | 7/18/1960 | See Source »

Though Italian Communist Party Boss Palmiro Togliatti mustered thousands of mourners at the funeral of the five Communists killed in Reggio Emilia, the riots had served to rally non-Communists temporarily to the support of the Tambroni government. But there was little rejoicing among liberal Italians, who recognized the neo-Fascists as a constant source of similar trouble for the government. Wrote Pundit Enrico Mattei: "The Tambroni government cannot go while there is violence. But when the violence ends, let it go in favor of a more representative government stronger and better equipped to cope with sedition...

Author: /time Magazine | Title: ITALY: Riot Politics | 7/18/1960 | See Source »

...members of juries. To answer these, the Festival included an ancillary exhibit of two paintings each by members of the selection jury: Loring Coleman, Fannie Hillsmith, Gyorgy Kepes, Walter Meigs, and Richard Ziemann. These were all excellent of their kind, though only Miss Hillsmith, with her (to me uncongenial) neo-Grandma Moses manner, could be said to be committed to a wholly representational style...

Author: By Caldwell Titcomb, | Title: Arts Festival Exhibits Stir Up Controversy | 7/5/1960 | See Source »

...newly extended apron stage (designed to achieve neo-Elizabethan intimacy), see a forgettable version of Two Gentlemen from Verona mounted on a revolving stage, a tricked-up Twelfth Night, and a fine Taming of the Shrew, starring Peggy Ashcroft. ¶ Ontario's Stratford, a 1953 offshoot of England's, and heavily Anglicized in cast and directors, was originally housed in a huge tent, eight miles from the town of Shakespeare; the festival moved indoors-in 1957, and its parasol-roofed theater makes Ontario's the only Stratford with true arena staging. More a purist than a tourist...

Author: /time Magazine | Title: THE STAGE: To Man From Mankind's Heart | 7/4/1960 | See Source »

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