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ROSENCRANTZ AND GUILDENSTERN ARE DEAD. Beckoned to Elsinore they know not why, Tom Stoppard's neo-Elizabethan protagonists wander through historical events looking for significance and through their lives in search of identity. John Wood, Brian Murray and Paul Hecht share with the audience each nuance of meaning, each streak of mordant...

Author: /time Magazine | Title: Television: Jun. 21, 1968 | 6/21/1968 | See Source »

...that each was conceived on French soil during this century. Everything from Bonnard's impressionism to mirror-mobiles by Argentinian Julio le Parc can be found in it. Regrettably, in cutting back the show to fit limited gallery space here in Boston, the very most recent works--pop, op, neo-surrealist, have born the brunt of sacrifice. The point of the show, and the point of Paris, is its newness, excitement and freedom. No one has ever accused Boston of the same...

Author: By Betsy Nadas, | Title: Painting in France 1900-1967 | 6/10/1968 | See Source »

With 73 parties to choose from, Italy's general elections last week seemed to offer something for every political shopper. The candidates represented all political brands from neo-Fascism to Communism. Yet, obliged by law to go to the polls, 1,000,000 Italians rejected the lot and cast blank ballots-the highest no-to-everybody vote ever registered in Italy. Amid all the statistics to come out of the election, this was the most easily understood, and perhaps the most significant...

Author: /time Magazine | Title: Italy: No to Everybody | 5/31/1968 | See Source »

...viewing the Van Gogh exhibition of 1901. In addition, portraits such as L'Enfant Madeline betray a vestigial debt to Renoir's child portraits, while the pointillistic detail and balanced composition of Vue de Chatou suggest more than a few hours spent in the galleries studying the neo-impressionist work of Seurat and Signac...

Author: /time Magazine | Title: Painting: Fleeting Fauve | 5/24/1968 | See Source »

ROSENCRANTZ AND GUILDENSTERN ARE DEAD, winner of the Tony Award for Best Play, takes a chip off the old Bard to construct a neo-Elizabethan existentialist drama. Brian Murray and John Wood are extremely adept as Tom Stoppard's nether heroes of flashing wit but blinking comprehension...

Author: /time Magazine | Title: Television: May 17, 1968 | 5/17/1968 | See Source »

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